Composer Hans Joachim Moser (1889-1967): 2 Letters Conservatory Berlin 1956

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Seller: tucholsklavier ✉️ (7,665) 100%, Location: Berlin, DE, Ships to: WORLDWIDE, Item: 305447614368 Composer Hans Joachim Moser (1889-1967): 2 Letters Conservatory Berlin 1956.

Composer Hans Joachim Moser (1889-1967): 2 Letters Conservatory Berlin 1956 The description of this item has been automatically translated. If you have any questions, please feel free to contact us.

You bid two typewritten, signed letters of musicology scientist, composer, singer and writer Hans-Joachim Moser (1889-1967).

Hans Joachim Moser was the father of the singer Edda Moser (* 1938), the cellist Kai Moser (* 1944), the folklorist and literary scholar Dietz-Rüdiger Moser (1939-2010) and the opera singer (tenor) Wolf-Hildebrand Moser (* 1943 ).

Both letters written as Director of the Berlin City Conservatory (former Stern Conservatory); he held this office from 1950 to 1960.

1.) A5 letter, dated Berlin, 14. Sep 1956.

The rhythmic teacher Barbara Kroll was sent her employment contract for the winter semester 1956/57 (this is not even available here).

Signed "Moser".

2.) A4 letter, undated (between 1950 and 1960).

Addressed to Erna Conrad at the Folkwang School in Essen.

Moser complains that the conservatory's rhythmics class, led by Kroll, is not appearing at the forthcoming Essen conference.

Signed "moser."

Each without an envelope.

Condition: letters folded; Paper slightly browned, creased, with creases, some with tears in edges. B Please also note the pictures!

Internal note: Kroll 2021-12-16 (white folder)

About Hans-Joachim Moser (Source: wikipedia):

Hans-Joachim Moser (* 25. May 1889 in Berlin; † 14 August 1967) was a German musicologist, composer, singer and writer.

Life: Moser was the son of the music professor Andreas Moser (1859–1925). In 1907 he graduated from the humanistic Bismarck High School in Berlin. He studied music history (with Gustav Jenner and Robert Kahn, among others), German and philosophy in Marburg, Berlin and Leipzig and the violin with his father. He received his doctorate in Rostock in 1910 with his work The musicians' cooperatives in the German Middle Ages. During his studies he sang in the choir of the St. Pauli Leipzig choir.

He took part in World War I as a lieutenant, qualified as a professor at the University of Halle in 1919 and became an associate professor in 1922. He became a member of the Salia Halle singers. In 1925 he accepted a call to Heidelberg. From 1927 to 1933 he succeeded Carl Thiel as director of the State Academy for Church and School Music in Berlin. At the same time he received an honorary professorship at the University of Berlin.

In 1933 Moser lost his honorary professorship at the University of Berlin. According to Nazi researcher Michael Grüttner, there were no political reasons for this. Moser was accused of having given advantages to female students with whom he had an intimate relationship as director of the State Academy: “He had those who knew about it removed from the academy”.

Despite the existing admission ban, he was dismissed with effect from January 1st. Admitted to the NSDAP on April 1936 (membership number 3,751,261). In 1938 Moser became deputy head of the Reich Office for Music Arrangements in the Reich Ministry for Public Enlightenment and Propaganda; from 1940 to 1945 he was its general secretary. From 1940 onwards, under his aegis, the Reichsstelle commissioned the “Aryanization” of George Frideric Handel’s oratorios. In the period from 1938 to 1940, Moser also wrote for the SS newspaper Germanien. From 1944 he published in Rosenberg's magazine Musik im Kriege.

Moser received a professorship at the University of Jena in 1947, but was dismissed after two months because of his work in the Ministry of Propaganda. From 1950 to 1960 Moser was director of the Municipal Conservatory in West Berlin. In 1963 he was awarded the Mozart Medal by the Mozart Community in Vienna.

Moser wrote studies on numerous composers such as Paul Hofhaimer, Heinrich Schütz and Johann Sebastian Bach as well as studies on the German song since Mozart. In the 1920s he published a three-volume history of German music that was reprinted several times. After the Second World War, Moser wrote a history of Protestant church music in Germany and numerous biographical treatises, such as B. the history of music in 100 life pictures. By 1955, his music encyclopedia went through four editions. Its 2nd The 1943 edition[7] is strongly permeated by National Socialist ideas (in accordance with the Nuremberg Race Laws, people are marked as (j.) or (hj.); it is said of Offenbach that he made an impact with the instinct of his race; Mahler's 10 symphonies were excessively overestimated pro-Jewish and showed banal inventions and empty lengths). In the 3rd edition of the Musik-Lexikon (1951) such attributions have been removed. However, the pictures of his life (Reclam 1958) show his still ethnic thinking, for example in the article on Mozart: “In the south of Salzburg, which was overwhelmed by foreigners (from where shortly before thousands of Protestants who were aware of the people had been expelled), he gradually gained German sympathy and contributed to the world standing of our music decisive at.". The book The Music of the German Tribes (1957), in the tradition of the Germanist Josef Nadler, was also published. Moser was the reworker of the Monuments of German Music (DDT).

Moser's compositional oeuvre includes piano pieces, songs, incidental music and choral works.

Hans Joachim Moser died in mid-August 1967 at the age of 78 in Berlin. The burial took place in the state-owned cemetery Heerstraße in today's district of Berlin-Westend. The tomb has not been preserved.

family

Moser was married twice. After two children from his first marriage, he and his second wife Dorothea née Duffing had four children, including singer Edda Moser (b. 1938) and cellist Kai Moser (b. 1944). The sons Dietz-Rüdiger Moser (1939-2010), folklorist and literary scholar, and Wolf-Hildebrand Moser (* 1943), opera singer (tenor), come from the connection to Hanna Walch (1910-2004), with whom Hans Joachim Moser does not was married. Hanna Walch was Clara Schumann's great-granddaughter.

writings

Music Lexicon. 2. Edition, Max Hesse Verlag, Berlin 1943. archive.org

together with Fred Quellmalz: folk songs of the 15th century Century from St. Blasien. In: Folk gifts. Offered to John Meier on the occasion of his seventieth birthday, Berlin: de Gruyter 1934, pp. 146-156.

organ romance. A walk through organ issues from the day before yesterday and the day after tomorrow. Ludwigsburg 1961.110 p.

Moser wrote studies on numerous composers such as Paul Hofhaimer, Heinrich Schütz and Johann Sebastian Bach as well as studies on the German song since Mozart. In the 1920s he published a three-volume history of German music that was reprinted several times. After the Second World War, Moser wrote a history of Protestant church music in Germany and numerous biographical treatises, such as B. the history of music in 100 life pictures. By 1955, his music encyclopedia went through four editions. Its 2nd The 1943 edition[7] is strongly permeated by National Socialist ideas (in accordance with the Nuremberg Race Laws, people are marked as (j.) or (hj.); it is said of Offenbach that he made an impact with the instinct of his race; Mahler's 10 symphonies were excessively overestimated pro-Jewish Moser wrote studies on numerous composers such as Paul Hofhaimer, Heinrich Schütz and Johann Sebastian Bach as well as studies on the German song since Mozart. In the 1920s he published a three-volume history of German music that was reprinted several times. After the Second World War, Moser wrote a history of Protestant church music in Germany and numerous biographical treatises, such as B. the history of music in 100 life pictures. By 1955, his music encyclopedia went through four editions. Its 2nd The 1943 edition[7] is strongly permeated by National Socialist ideas (in accordance with the Nuremberg Race Laws, people are marked as (j.) or (hj.); it is said of Offenbach that he made an impact with the instinct of his race; Mahler's 10 symphonies were excessively overestimated pro-Jewish
Autogrammart Schriftstück
Erscheinungsort Berlin und Potsdam
Region Europa
Material Papier
Sprache Deutsch
Autor Hans Joachim Moser
Original/Faksimile Original
Genre Musik
Eigenschaften Erstausgabe
Eigenschaften Signiert
Erscheinungsjahr 1956
Produktart Maschinengeschriebenes Manuskript
  • Autograph Type: Document
  • Place of Publication: Berlin and Potsdam
  • Region: Europe
  • Material: Paper
  • Language: German
  • Author: Hans Joachim Moser
  • Original/Facsimile: Original
  • Genre: Musik
  • Properties: First Edition, Signed
  • Date of Publication: 1956
  • Type: Maschinengeschriebenes Manuscript
  • Brand: Unbranded

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