1975 Israel FRENCH FILM POSTER Movie GABIN + DELON Hebrew TWO MEN IN TOWN Jewish

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Seller: judaica-bookstore ✉️ (2,805) 100%, Location: TEL AVIV, IL, Ships to: WORLDWIDE, Item: 276311983900 1975 Israel FRENCH FILM POSTER Movie GABIN + DELON Hebrew TWO MEN IN TOWN Jewish.

DESCRIPTION : Here for sale is an EXCEPTIONALY RARE and ORIGINAL POSTER for the ISRAEL 1975 PREMIERE release of the French Italian CRIME film " TWO MEN IN TOWN " ( AKA " Deux hommes dans la ville   " and " Two Against The Law " ) , Starring the two legendary Frech Giants ALAIN DELON and JEAN GABIN to name only a few in the small rural town of NATHANYA in ISRAEL. The cinema-movie hall " CINEMA SHARON" , An Israeli local version of "Cinema Paradiso" was printing manualy its own posters , And thus you can be certain that this surviving copy is ONE OF ITS KIND.  Fully DATED 1975 . Text in HEBREW and FRENCH . Please note : This is NOT a re-release poster but PREMIERE - FIRST RELEASE projection of the film , A year after its release in 1973 in EUROPE and the USA. The Jewish - Judaica ISRAELI distributors of the film have given it a quite archaic and amusing HEBREW text . A TURKISH FILM in matinee show. GIANT size around 28" x 38"  ( Not accurate ) . Printed in red and blue . The condition is very good . 2 folds . Clean . ( Pls look at scan for accurate AS IS images ) Poster will be sent rolled in a special protective rigid sealed tube. AUTHENTICITYThe POSTER is fully guaranteed ORIGINAL from 1975 ( dated )  , It is NOT a reproduction or a recently made reprint or an immitation , It holds a with life long GUARANTEE for its AUTHENTICITY and ORIGINALITY.   PAYMENTS : Payment method accepted : Paypal & All credit cards . SHIPPMENT : SHIPP worldwide via registered airmail is $ 25  . Poster will be sent rolled in a special protective rigid sealed tube. Handling around 5-10 days after payment. 
Deux hommes dans la ville (titre italien : Due contro la città) est un film franco-italien, réalisé par José Giovanni, sorti sur les écrans en 1973. Sommaire 1 Synopsis2 Fiche technique3 Distribution4 Autour du film5 Liens externes6 Notes et références Synopsis Germain Cazeneuve, ancien policier, est devenu éducateur pour délinquants afin de les réinsérer dans la vie active à leur sortie de prison. Il se porte garant envers Gino Strabliggi, ancien truand condamné à douze années de prison pour l'attaque d'une banque. Libéré avec deux ans d'avance grâce à Cazeneuve, Gino retrouve sa femme Sophie, qui a patiemment attendu durant ces dix années et tient une boutique, et il reprend goût à la vie. Des liens amicaux naissent entre les deux hommes (Gino Strabliggi considère Germain Cazeneuve comme son père), l'ancien détenu et son épouse sont invités à des moments de convivialité avec la famille de Germain, avec lequel il sympathise. Mais un jour, alors qu'ils rentrent d'un week-end passé avec les Cazeneuve, Gino et Sophie sont victimes d'un accident de voiture causé par deux chauffards. Si lui s'en sort, la jeune femme décède. Pour remonter le moral à son protégé, interdit de séjour à Paris et rejeté par sa belle-famille, et après une altercation avec Vautier, un de ses voisins, Germain lui trouve un emploi dans une imprimerie à Montpellier, où l'éducateur est muté. Strabliggi a rencontré Lucy, une employée de banque, qui est devenue sa compagne. Il doit passer régulièrement au commissariat pour viser périodiquement son interdiction de séjour. Il y rencontre l'inspecteur Goitreau, policier qui l'a autrefois arrêté. Croyant que l'ex-truand va rechuter, le policier se met à le surveiller, tout en informant Lucy de son passé. Gino rencontre par hasard Marcel, truand et ancien complice, qu'il ne tient pas à revoir, mais qui lui laisse tout de même son adresse. Goitreau surprend l'entrevue et arrête Gino, le suspectant de complicité. Germain le fait libérer, mais Goitreau, opiniâtre et obstiné, harcèle toujours Gino. Il met en garde, de même que son supérieur, le policier qu'à force de chercher un coupable, on en fabrique un. Après avoir arrêté Marcel et sa bande, il se rend chez Gino et s'acharne sur la compagne de ce dernier. Alors que celui-ci entre dans son appartement, il l'entend la menacer et ne pouvant plus se contenir, il étrangle le policier. Emprisonné, Gino, après un procès et une demande de grâce présidentielle rejetée, est condamné à mort et guillotiné quelques jours plus tard à l'aube. Germain, de même que le juge, le procureur, l'avocat et le juge d'instruction assistent à cette exécution. Fiche technique Titre : Deux hommes dans la villeTitre italien : Due contro la cittàRéalisation : José GiovanniScénario : José GiovanniAdaptation : José Giovanni, Daniel BoulangerDialogue : Daniel BoulangerAssistants réalisateur : Jean-Michel Lacor, Philippe Leriche, Renato Pecoriello, Pierre TatischeffMusique : Philippe Sarde (Éditions Adel Music)Orchestration : Hubert RostaingImages : Jean-Jacques TarbèsOpérateur : Claude BourgoinDécors : Jean-Jacques Caziot, assisté de Robert André et Gianfranco PucciMontage : Renée Deschamps, assistée de Françoise JavetCostumes : Hélène NourrySon : Jean RieulEnsemblier : Philippe TurlureScript-girl : Lucille CostaMaquillage : Jean-Pierre Craco, Yvonne GasperinaCoiffure : Pierre VadePhotographe de plateau : Victor RodrigueRégisseur général : Jacques DrouinAdministrateur : Andrée LeguayDate de tournage : du 28 mai au 30 juillet 1973Tournage dans les studios de BoulognePellicule 35 mm, couleur par EastmancolorTirage : Laboratoire franay L.T.C Saint-CloudGénérique : StanProduction : Adel Production (Alain Delon), Medusa Produzione (Rome) - (Franco-Italienne)Chef de production : Alain DelonDirecteur de production : Pierre Saint-BlancatProducteur délégué : Pierre CarotAttaché de presse : Christine BrièreDistribution : Valoria FilmsGenre : Policier, DramePays : France, ItalieLangue : françaisDurée : 100 minutesDates de sortie : France : 25 octobre 1973 Italie : 30 novembre 1973 Distribution Alain Delon : Gino StrabliggiJean Gabin : Germain CazeneuveMichel Bouquet: L'inspecteur GoitreauMimsy Farmer : LucyVictor Lanoux : MarcelIlaria Occhini : Sophie StrabliggiGuido Alberti : patron de l'imprimerieCécile Vassort : Evelyne Cazeneuve (fille de Germain et Geneviève Cazeneuve)Bernard Giraudeau : Frédéric Cazeneuve (fils de Germain et Geneviève Cazeneuve)Christine Fabréga : Geneviève Cazeneuve (épouse de Germain Cazeneuve)Malka Ribowska : Me BaudardJacques Monod: procureurArmand Mestral: directeur prison 1Robert Castel : André VautierGabriel Briand : JeannotRoland Monod : président tribunalPierre Collet: commissaireMaurice Barrier: juge d'instructionRaymond Loyer: capitaine de gendarmerieJacques Marchand : détenu désespéréJacques Rispal : jugeGérard Depardieu: jeune truandAlbert Augier : RaquinDominique Zardi: détenuJean RougeulPierre Asso : directeur prison 2 (non crédité)André Rouyer : capitaine des C.R.SBernard Musson : gardien de prisonJean-Pierre Honoré : prêtrePatrick Lancelot: médecinPaul BeauvaisLucie Arnold : Mme VautierNicole Desailly: voisineJacques Pisias : inspecteur commissariatJean Degrave : éducateurFranck Stuart : éducateurMichel Fortin : policier exécutionGilbert Servien : un voisinDanielle Volle: voix d'Ilaria Occhini Autour du film Septième réalisation de José Giovanni.Ce film marque les retrouvailles entre Jean Gabin et Alain Delon après Mélodie en sous-sol (1963) et Le Clan des Siciliens (1969). Ce fut aussi leur dernier film ensemble.Deux futurs grands acteurs font partie de la distribution : Bernard Giraudeau et Gérard Depardieu.Il s'agit du dernier grand succès commercial de Jean Gabin avec 2 454 112 entrées au box-office français1.Le film La Voie de l'ennemi de Rachid Bouchareb est un remake du film2.Producteur du film, Alain Delon y fait une composition particulièrement crédible et touchante, loin de son registre habituel du personnage solitaire et cynique.La prison qui est censée être celle de Pontoise (Val-d'Oise) est en fait celle de la Petite Roquette, située 143, rue de la Roquette (Paris 11e) et désaffectée en 1974, donc l'année qui a suivi le tournage. Il est fort probable qu'à l'époque de ce dernier, elle le fût déjà, ce qui aurait facilité les prises de vue. Le square de la Roquette (ouvert en 1977) se trouve sur son emplacement.L'histoire du film, qui se veut un réquisitoire contre la peine de mort encore en vigueur en France à l'époque de la sortie du film, rappelle en partie l'intrigue du roman Les Misérables de Victor Hugo, Gino Strabliggi est comme Jean Valjean, un prisonnier libéré après avoir purgé sa peine en prison et comme lui, il sera traité en pestiféré par la société, ce qui rendra sa réinsertion difficile. L'inspecteur Goitreau, quant-à lui n'est pas sans rappeler l'inspecteur Javert par son acharnement à chercher à arrêter Strabliggi et ne voulant pas croire à la possibilité d'une sincère réinsertion sociale pour lui et les anciens détenus en général. Notons que Michel Bouquet qui interprète ici l'inspecteur Goitreau jouera également le rôle de l'inspecteur Javert neuf ans plus tard dans le film Les Misérables de Robert Hossein, l'adaptation de 1982 avec Lino Ventura dans le rôle de Jean Valjean. Remarquons enfin que deux acteurs ayant interprété Jean Valjean dans d'autres versions se trouvent dans le film. Jean Gabin a joué le rôle dans Les Misérables de Jean-Paul Le Chanois en 1958 et Gérard Depardieu jouera plus tard le même rôle dans Les Misérables de Josée Dayan, la version télévisée de 2000. Liens externes (en) Deux hommes dans la ville sur l’Internet Movie Database(fr) Deux hommes dans la ville sur Histoires de Tournages Two Men in Town (French: Deux hommes dans la ville aka. Two Against the Law) is a 1973 Franco-Italian film directed by José Giovanni. Contents 1 Plot2 Cast3 References4 External links Plot After an early release from prison in 1952, an ex-safe cracker finds honest work and a new love. But when a vengeful cop begins to stalk him, and his ex-gang tries to lure him back, his determination to go straight is pushed to the breaking point. In this French psychological drama, a bank robber is finally released after serving 10 years. His being paroled is due to the influence of his old friend, a social worker. The ex-convict returns to his wife and begins living an honest life. Unfortunately, his old crook friends begin trying to lure him back to crime. Following a prison riot, the social worker ends up living in the same town as the ex-con. They become close friends until the ex-con's wife is killed during an accident. He finds a new wife, but their happiness is marred by the cop who keeps harassing him. This powerful indictment of capital punishment draws authenticity from the participation of ex-con/novelist/screenwriter/director Giovanni (LE TROU, CLASSE TOUS RISQUES), who himself spent time on death row. Closer to the fatalistic social consciousness of Lang’s YOU ONLY LIVE ONCE than to the New Wave genre-riffing of Melville and Malle, TWO MEN IN TOWN (remade in 2014 with Forest Whitaker and Harvey Keitel) centers on the relationship between a paroled safecracker (Delon) trying to go straight and a veteran social worker (Gabin) trying to help him. The film benefits immensely from the charisma of three generations of French crime-film icons, not just Gabin and Delon, but also up-and-coming Gérard Depardieu in a showy supporting role as an aggressive young thug. In French with English subtitles. 4K DCP digital restoration from the Cohen Film Collection. (MR) A hard-boiled crime drama and an impassioned indictment of capital punishment, Two Men in Town is the third and final on-screen collaboration between Jean Gabin (Grand Illusion; Pepe Le Moko), France's pre-eminent film star, and '70s Gallic anti-hero Alain Delon (Flic Story; Purple Noon). After an early release arranged by prison reformer Germain Cazeneuve (Gabin), ex-safe cracker Gino Strabliggi (Delon) is devastated by personal tragedy and banned, by statue, from returning to Paris. At Cazeneuve's urging, Gino makes a new start in the south of France, finds honest work as a printer and new love in the form of Lucie (Mimsy Farmer - More), a beautiful bank officer. But when vengeful cops start to stalk him, and Gino's ex-gang starts eyeing Lucy's bank, Gino's determination to go straight is pushed to the breaking point. Written and directed by author Jose Giovanni (Le Trou), a real pardoned death row inmate, Two Men in Town fuses the two-fisted social commentary of Warner Bros' 1930s heyday with the naturalistic storytelling of '70s French noir cinema. Two Men in Town features a hauntingly evocative score by Phillipe Sarde (The Tenant). Cast Jean Gabin - Germain CazeneuveAlain Delon - Gino StrabliggiMimsy Farmer - LucieVictor Lanoux - MarcelCécile Vassort - ÉvelyneIlaria Occhini - SophieMichel Bouquet - Inspector GoitreauGuido Alberti - The owner of the printing shopMalka Ribowska - The lawyer of Gino (as Malka Ribovska)Christine Fabréga - Geneviève Cazeneuve - the wife of GermainGérard Depardieu - A young gangsterRobert Castel - André Vaultier - a neighbor of Gino in MontpelleirAlbert Augier - RasuinMaurice Barrier - The judge Jean Gabin (French pronunciation: ​[ʒɑ̃ gabɛ̃]; 17 May 1904 – 15 November 1976) was a French actor and sometime singer. Considered a key figure in French cinema, he starred in several classic films including Pépé le Moko (1937), La grande illusion (1937), Le Quai des brumes (1938), La bête humaine (1938), Le jour se lève (1939), and Le plaisir (1952). Gabin was made a member of the Légion d'honneur, due to the important role he played in French Cinema. Contents 1 Biography 1.1 Early life1.2 Career1.3 Death2 Legacy3 Selected filmography4 Further reading5 References6 External links Biography Early life Gabin was born Jean-Alexis Moncorgé in Paris, the son of Madeleine Petit and Ferdinand Moncorgé, a cafe entertainer whose stage name was Gabin.[1][2] He grew up in the village of Mériel in the Seine-et-Oise (now Val-d'Oise) département, about 22 mi (35 km) north of Paris. The son of cabaret entertainers, he attended the Lycée Janson de Sailly. Leaving school early, he worked as a laborer until the age of 19 when he entered show business with a bit part in a Folies Bergères production. He continued performing in a variety of minor roles before going into the military. Career After completing his military service, Gabin returned to the entertainment business, working under the stage name of Jean Gabin at whatever was offered in the Parisian music halls and operettas, imitating the singing style of Maurice Chevalier, which was the rage at the time. He was part of a troupe that toured South America, and upon returning to France found work at the Moulin Rouge. His performances started getting noticed, and better stage roles came along that led to parts in two silent films in 1928. Two years later, he easily made the transition to talkies in a 1930 Pathé Frères production titled Chacun sa Chance. Playing secondary roles, Gabin made more than a dozen films over the next four years, including films directed by Maurice and Jacques Tourneur. However, he only gained real recognition for his performance in Maria Chapdelaine (fr), a 1934 production directed by Julien Duvivier. Cast as a romantic hero in a 1936 war drama titled La Bandera, this second Duvivier-directed film established Gabin as a major star. The following year, he teamed up with Duvivier again, this time in the highly successful Pépé le Moko; its popularity brought Gabin international recognition. That same year, he starred in the Jean Renoir film La Grande Illusion, an anti-war film that ran at a New York City theatre for an unprecedented six months. This was followed by another one of Renoir's major works: La Bête Humaine (The Human Beast), a film noir tragedy based on the novel by Émile Zola and starring Gabin and Simone Simon, as well as Le Quai Des Brumes (Port of Shadows), one of director Marcel Carné's classics of poetic realism. He was divorced from his second wife in 1939. Flooded with offers from Hollywood, for a time Gabin turned them all down until the outbreak of World War II. After the German occupation of France in 1940, he joined Jean Renoir and Julien Duvivier in the United States. During his time in Hollywood, Gabin began a torrid romance with actress Marlene Dietrich which lasted until 1948. [3] However, his films in America - Moontide (1942) and The Impostor (1944), the later reuniting him with Duvivier - were not successful. A difficult personality, he did serious damage to his Hollywood career while working for RKO Pictures. Scheduled to star in an RKO film, at the last minute he demanded Dietrich be given the co-starring role. The studio refused. After Gabin remained steadfast in his demand, he was fired, and the film project was shelved. Undaunted, Jean Gabin joined General Charles de Gaulle's Free French Forces and earned the Médaille militaire and a Croix de guerre for his wartime valor fighting with the Allies in North Africa. Following D-Day, Gabin was part of the military contingent that entered a liberated Paris. In 1946, Gabin was hired by Marcel Carné to star in the film, Les Portes de la Nuit, but his conduct got him fired again. He then found a French producer and director willing to cast him and Marlene Dietrich together, but their film Martin Roumagnac was not a success and their personal relationship soon ended. Following another box office failure in 1947, Gabin returned to the stage, but there too, the production was another financial disaster. Nevertheless, he was cast in the lead role of the 1949 René Clément film Au-Delà Des Grilles that won the Academy Award for Best Foreign Language Film. Despite this recognition, the film did not do well at the French box office, and the next five years brought little more than repeated box office failures. Gabin and Jacques Prévert in 1961. Gabin's career seemed headed for oblivion. However, he made a comeback in the 1954 film, Touchez pas au grisbi (Don't Touch the Loot). Directed by Jacques Becker, his performance earned him critical acclaim, and the film was a very profitable international success. Later, he worked once again with Jean Renoir in French Cancan, with María Félix and Françoise Arnoul. Over the next twenty years, Gabin made close to 50 more films, most of them very successful commercially and critically, including many for Gafer Films, his production partnership with fellow actor Fernandel. His co-stars included leading figures of post-war cinema such as Brigitte Bardot (En cas de malheur), Alain Delon (Le Clan des Siciliens, Mélodie en sous-sol and Deux hommes dans la ville), Jean-Paul Belmondo (Un singe en hiver) and Louis de Funès (Le Tatoué). Death Gabin died of leukaemia at the American Hospital of Paris, in the Parisian suburb of Neuilly-sur-Seine. His body was cremated and with full military honours, his ashes were scattered at sea from a military ship. Legacy The Musée Jean Gabin. He was considered one of the greatest stars and an important figure in the French cinema, and was also appointed Officier de la Légion d'honneur. In 1981, French actor Louis de Funès initiated the Prix Jean Gabin—a film accolade presented to upcoming actors working in the French film industry. It was awarded annually between 1981 and 2006. The Musée Jean Gabin — in his native town of Mériel — narrates his story and features his film memorabilia. The Place Jean Gabin was inaugurated on 16 May 2008 by then-mayor of the 18th arrondissement of Paris Daniel Vaillant, and Jean Gabin's children. It is located on the corner of rue Custine and rue Lambert, at the foot of Montmartre. Selected filmography Year Title Role Director Notes 1931 Paris-Béguin (The Darling of Paris) Bob Augusto Genina 1932 Les Gaîtés de l'escadron (Fun in the Barracks) Fricot Maurice Tourneur 1933 Le Tunnel (The Tunnel) Allan Mac Allan Curtis Bernhardt French version of a German film 1934 Maria Chapdelaine (fr)[4] François Paradis Julien Duvivier NBR Award 1935 1934 Zouzou Jean, an orphan Julien Duvivier Featuring Josephine Baker 1935 La Bandera Pierre Gilleth Julien Duvivier Adaptation of Pierre Mac Orlan's novel La Bandera. 1936 Les Bas-fonds Wasska Pepel Jean Renoir Louis Delluc Prize 1937. Adaptation of Maxim Gorky's The Lower Depths. La Belle Équipe Jeannot Julien Duvivier With Charles Vanel and Viviane Romance. 1937 Pépé le Moko Pépé Julien Duvivier Remade twice: Algiers (1938) and Casbah (1948). La Grande Illusion Lieutenant Maréchal Jean Renoir NBR Award 1938 Gueule d'amour (Lady Killer) Lucien Bourrache Jean Grémillon Adaptation of a novel by André Beucler (fr). 1938 Le Récif de corail (Coral Reefs) Trott Lennart Maurice Gleize With Michèle Morgan. Adaptation of a novel by Jean Martet. Le Quai des brumes (Port of Shadows) Jean Marcel Carné With Michèle Morgan and Claude Brasseur. Louis Delluc Prize 1939 La Bête humaine (The Human Beast) Jacques Lantier Jean Renoir Adaptation of Émile Zola's novel La Bête humaine. 1939 Le jour se lève (Daybreak) François Marcel Carné Remade as The Long Night, starring Henry Fonda. 1941 Remorques Captain André Laurent Jean Grémillon With Madeleine Renaud. Adaptation of a novel by Roger Vercel. 1942 Moontide Bobo Archie Mayo With Ida Lupino. Adaptation of a novel by Willard Robertson. 1944 The Impostor Clement Julien Duvivier 1946 Martin Roumagnac (The Room Upstairs) Martin Roumagnac Georges Lacombe With Marlene Dietrich. Adaptation of a novel by Pierre-René Wolf. 1949 Au-delà des grilles (The Walls of Malapaga) Pierre Arrignon René Clément Academy Award for Best Foreign Language Film 1949 1951 È più facile che un cammello... (His Last Twelve Hours) Carlo Bacchi Luigi Zampa French title: Pour l'amour du ciel 1952 La Vérité sur Bébé Donge (The Truth About Bebe Donge) François Donge Henri Decoin With Danielle Darrieux. Adaptation of a novel by Georges Simenon. Le Plaisir (House of Pleasure) Joseph Rivet Max Ophüls An anthology film based on three stories by Guy de Maupassant. La Minute de vérité (La Minute de vérité) Pierre Richard Jean Delannoy French-Italian-Austrian coproduction 1954 Touchez pas au grisbi (Don't Touch the Loot) Max Jacques Becker With Jeanne Moreau and Lino Ventura. Adaptation of a novel by Albert Simonin. Razzia sur la chnouf (Raid on the Drug Ring) Henri Ferré Henri Decoin Based on a novel by Auguste Le Breton. 1955 Napoléon Jean Lannes Sacha Guitry Cameo appearance French Cancan Henri Danglard Jean Renoir Musical film Gas-oil (fr) Jean Chape Gilles Grangier With Jeanne Moreau. 1956 Des gens sans importance (fr) Jean Viard Henri Verneuil Voici le temps des assassins (Deadlier Than the Male) André Chatelin Julien Duvivier Produced by Raymond Borderie (and others). Le Sang à la tête (fr) François Cardinaud Gilles Grangier Adaptation of a novel by Georges Simenon. La Traversée de Paris (The Trip Across Paris) Grandgil Claude Autant-Lara With Louis de Funès and Bourvil Crime et Châtiment (fr) (Crime and Punishment) Commissaire Gallet Georges Lampin With Robert Hossein and Marina Vlady 1957 Le rouge est mis (Speaking of Murder) Louis Bertain / Louis le Blond Gilles Grangier With Annie Girardot. 1958 Maigret tend un piège (Maigret Sets a Trap) Jules Maigret Jean Delannoy With Annie Girardot. Adaptation of an original Maigret story by Georges Simenon. Le Désordre et la Nuit Inspecteur Georges Vallois Gilles Grangier With Danielle Darrieux. Les Misérables Jean Valjean Jean-Paul Le Chanois Franco-Italian-German adaptation of Victor Hugo's novel. En cas de malheur (In Case of Adversity) André Gobillot Claude Autant-Lara With Brigitte Bardot. Les Grandes Familles (The Possessors) Noël Schoudler Denys de La Patellière 1959 Archimède le clochard (The Magnificent Tramp) Archimède Gilles Grangier Silver Bear for Best Actor at the 9th Berlin International Film Festival[5] Maigret et l'Affaire Saint-Fiacre (fr) Jules Maigret Jean Delannoy Adaptation of a novel by Georges Simenon. Rue des prairies Henri Neveux Denys de La Patellière 1961 Le Président (The President) Émile Beaufort Henri Verneuil Adaptation of a novel by Georges Simenon. Le cave se rebiffe Ferdinand Maréchal Gilles Grangier Adaptation of a novel by Albert Simonin. 1962 Le Gentleman d'Epsom (The Gentleman from Epsom) Richard Briand-Charmery Gilles Grangier Raymond Oliver as himself. Un singe en hiver (A Monkey in Winter) Albert Quentin Henri Verneuil With Jean-Paul Belmondo. Adaptation of Antoine Blondin's novel "A Monkey in Winter". 1963 Mélodie en sous-sol (Any Number Can Win) Mister Charles Henri Verneuil With Alain Delon. Adaptation of Zekial Marko's novel "The Big Grab". Maigret voit rouge (fr) Jules Maigret Gilles Grangier Adaptation of a novel by Georges Simenon. 1964 Monsieur (fr) René Duchêne / Georges Baudin Jean-Paul Le Chanois With Liselotte Pulver 1965 Le Tonnerre de Dieu (God's Thunder) Léandre Brassac Denys de La Patellière With Lilli Palmer, Michèle Mercier and Robert Hossein. 1966 Du rififi à Paname (fr) (The Upper Hand) Paul Berger Denys de La Patellière With Gert Fröbe, George Raft and Mireille Darc. 1967 Le Soleil des voyous (fr) (Action Man) Denis Ferrand Jean Delannoy With Robert Stack. 1968 Le Pacha (fr) Comissaire Louis Joss Georges Lautner Le Tatoué Comte Enguerand Denys de La Patellière Co-starring Louis de Funès 1969 Le Clan des Siciliens (The Sicilian Clan) Vittorio Manalese Henri Verneuil With Alain Delon and Lino Ventura. Score by Ennio Morricone. 1970 La Horse Auguste Maroilleur Pierre Granier-Deferre 1971 Le Chat Julien Bouin Pierre Granier-Deferre Silver Bear for Best Actor at the 21st Berlin International Film Festival[6] 1972 Le Tueur Commissaire Le Guen Denys de La Patellière 1973 Deux hommes dans la ville (Two Against the Law) Germain Cazeneuve José Giovanni With Alain Delon, Mimsy Farmer and Gérard Depardieu. 1974 Verdict Judge Leguen André Cayatte With Sophia Loren. Produced by Carlo Ponti. 1976 L'Année sainte (Holy Year) Max Lambert Jean Girault His last film, with Jean-Claude Brialy, Henri Virlojeux, and Danielle Darrieux Further reading Jean-Michel Betti: Salut, Gabin! Ed. de Trévise, Paris 1977.André Brunelin: Gabin Herbig, München/Berlin 1989, ISBN 3-7766-1499-4; Ullstein TB 36650, Frankfurt am Main/Berlin 1996, ISBN 3-548-35650-8.Claude Gauteur: Jean Gabin. Nathan, Paris 1993, ISBN 3-453-86038-1.Jean-Marc Loubier: Jean Gabin, Marlène Dietrich: un rêve brisê, Acropole, Paris 2002, ISBN 2-7357-0216-2.Eine unvollendete Liebe. Marlene Dietrich und Jean Gabin. Documentary, Germany, 2012, 52:30 Min., Book and directed by Daniel Guthmann, Christian Buckhard, Production: DG Filmproduktion, WDR, arte, first shown: 9 February 2013, arte. contains interviews with Louis Bozon and Jean-Jacques Debout, and Gabins children Florence and Mathias. Alain Fabien Maurice Marcel Delon (French: [alɛ̃ dəlɔ̃]; born 8 November 1935) is a French actor and businessman, with French-Swiss dual citizenship since 1999. Delon became one of Europe's most prominent actors and screen "heart throbs" in the 1960s. He achieved critical acclaim for roles in films such as Rocco and His Brothers (1960), Purple Noon (1960), L'Eclisse (1962), The Leopard (1963), Lost Command (1966) and Le Samouraï (1967). Over the course of his career Delon worked with many well-known directors, including Luchino Visconti, Jean-Luc Godard, Jean-Pierre Melville, Michelangelo Antonioni and Louis Malle. Delon acquired Swiss citizenship on 23 September 1999, and the company managing products sold under his name is based in Geneva. He is a citizen of the community of Chêne-Bougeries in the canton of Geneva. Contents 1 Early life2 Career 2.1 French Stardom2.2 International Fame2.3 Hollywood star2.4 Return to France2.5 Producer3 Business career4 Personal life 4.1 Markovic affair4.2 Other legal troubles4.3 De Gaulle document5 Influences6 Honours and cultural impacts7 Filmography8 See also9 References10 External links Early life Delon was born in Sceaux, Seine (now Hauts-de-Seine), Île-de-France, a suburb of Paris. His parents, Édith (née Arnold) and Fabien Delon, divorced when Delon was four.[1] Both remarried, and Delon has a half-sister and two half-brothers. His paternal grandmother was Corsican, from Prunelli-di-Fiumorbo.[2] He attended a Roman Catholic[3] boarding school, the first of several schools from which he was expelled because of unruly behavior. Teachers once tried to convince him to enter the priesthood because of his aptitude in religious studies. At 14, Delon left school, and worked for a brief time at his stepfather's butcher shop. He enlisted in the French Navy three years later, and in 1953-54 he served as a fusilier marin in the First Indochina War. Delon has said that out of his four years of military service he spent 11 months in prison for being "undisciplined". In 1956, after being dishonorably discharged from the military, he returned to France. He had little money, and got by on whatever employment he could find. He spent time working as a waiter, a porter, a secretary and a sales assistant. During this time he became friends with the actress Brigitte Auber, and joined her on a trip to the Cannes Film Festival, where his film career would begin. Career At Cannes, Delon was seen by a talent scout for David O. Selznick. After a screen test Selznick offered him a contract, provided he learn English. Delon returned to Paris to study the language, but when he met French director Yves Allégret, he was convinced that he should stay in France to begin his career. Selznick allowed Delon to cancel his contract, and Allégret gave him his debut in the film Quand la femme s'en mêle (When the Woman Butts In). French Stardom Delon then appeared in the film Women are Weak, which was a big hit. This was also the very first of his films to be seen in America. Delon in Joy House (1964) International Fame Delon then made two films which ensured his international reputation. In 1960, he appeared in René Clément's Purple Noon, which was based on the Patricia Highsmith novel The Talented Mr. Ripley. He played protagonist Tom Ripley to critical acclaim; Highsmith herself was also a fan of his portrayal.[4] He then appeared in Luchino Visconti's Rocco and His Brothers. Critic Bosley Crowther of the New York Times said Delon's work was "touchingly pliant and expressive." John Beaufort in the Christian Science Monitor said: "Rocco's heartbroken steadfastness furnishes the film with the foremost of its ironic tragedies ... [I]ts believability rests finally on Mr. Delon's compelling performance." Delon made his stage debut in 1961 in the John Ford play Tis Pity She's a Whore alongside Romy Schneider in Paris. Visconti directed the production which broke box office records.[5] Around this time Delon was mentioned as a possibility for the lead in Lawrence of Arabia.[6] Peter O'Toole was cast instead, but then Delon was signed by Seven Arts to a four picture deal, including a big budget international movie of the Marco Polo story and The King of Paris, about Alexander Dumas.[7] Neither project came to fruition; however Delon then appeared in a big hit at the French box office, co-starring with Jean Gabin in Any Number Can Play. His reputation was further enhanced when he worked with Visconti again for Il Gattopardo (The Leopard). Instead of a straight salary for Any Number Can Play, Delon accepted distribution rights for the film in various territories. This gave him a taste for producing, which he would develop later.[8] In 1964, the Cinémathèque Française held a showcase of Delon's films and Delon started a production company, Delbeau Production, with Georges Beaume. They produced a film called L’insoumis, which had to be re-edited because of legal issues. Hollywood star By now Hollywood studios were very interested in Delon and he decided to make a bid for American stardom. He was quoted in 1965 as saying: I don't know whether I'll succeed or not. If I were to concentrate on working entirely here and flop it would be a disaster for me in Europe. Everything would dissolve and I would have nothing. My dream is to do one picture a year in America and one in Europe... [But America is] the top, the last step. It's a kind of consecration... If you want to be an international star you must establish yourself in American pictures, because only they will get adequate world wide distribution. It takes only a year for an American star to become known throughout the world. But European actors consider it a big break to get their pictures shown in New York. Because of my accent I would not attempt to play Americans. I am working on removing the distinctly French inflections from my speech so that I can play all continental nationalities.[8] Any Number Can Play had been distributed in the US by MGM, who signed Delon to a five picture contract. The first movie of this deal was Joy House (1964), shot in France with Jane Fonda.[9] He then followed it up with two more films for the studio: the all-star The Yellow Rolls Royce, in which Delon had a relatively small role, and Once a Thief, where he co-starred with Ann-Margret. MGM also announced him for a Western Ready for the Tiger directed by Sam Peckinpah but the film was never made.[10] Delon signed a three picture deal with Columbia, for whom he appeared in the big budget action film Lost Command (1966). The studio also announced would appear in the biopic Cervantes, but this was never made.[11] Universal Studios used Delon in a Western, opposite Dean Martin, Texas Across the River. Seven Arts wanted to use him in The Night of the Iguana and This Property is Condemned.[12][13] He did not appear in either film but was in that studio's Is Paris Burning?. This was a massive hit in France but performed disappointingly at the US box office - as did all of Delon's Hollywood financed films. Along with Steve McQueen and Sean Connery he was one of the biggest stars in Japan.[14] However he could not make headway in America. Return to France After six Hollywood movies Delon returned to France to make The Last Adventure. He was meant to reteam with Visconti in The Stranger but did not end up playing it.[15] Delon then made Le Samourai with Jean-Pierre Melville, which became another classic. Producer Delon then started his own production company, Adel, and starred in the company's first film, Jeff. Delon followed the success of the film with Borsalino, which became one of France's highest grossing films of the time. In the early 1970s Delon tried Hollywood again, appearing in Red Sun. The film was popular in France but not the US. In 1973, he recorded "Paroles, paroles", a popular French-language version of the Italian song "Parole parole", with French pop singer Dalida. He played the title character in the 1975 Italian-French film Zorro. In 1976, Delon starred in Monsieur Klein, which won him the César awards (French equivalent of Oscars). Delon with daughter at the 2010 Cannes Film Festival. In 1979 he stated only a quarter of his business activities involve films: I have a helicopter business, build furniture, promote prize fights, and race horses... I star in two or three pictures a year in France. They make tremendous profits around the world. My pictures are the most popular in Russia. I am a superstar in Europe. I would like to be a star in America. In order to do so I would have to live and work in Hollywood. I can't do that. My Adel productions makes at least one film a year. I do everything from A to Z. I find a story, hire writers, choose a director, collect a cast, and then put it all together. I even handle the finances, distribution, and publicity. I refuse to accept the director who thinks himself a genius and tries to put his stamp on my films. It is my stamp that counts... I don't mean to sound egotistical. The simple truth is that I am an enormous star all over the world. I like that because it enables me to live well.[16] In 1979 he made another attempt at Hollywood stardom, signing with agent Sue Mengers and starring in The Concorde ... Airport '79 (1979).[17] The film was not a big success. He was awarded the Best Actor César Award for his role in Bertrand Blier's Notre histoire (1984), and portrayed the aristocratic dandy Baron de Charlus in a film adaptation of Marcel Proust's novel Swann in Love in the same year. Then followed a string of box office failures in the late 1980s and 1990s. One notable film during this time was Jean-Luc Godard's Nouvelle Vague in 1990, in which Delon played twins. Delon's last major role was in Patrice Leconte's Une chance sur deux in 1998, another box office disappointment. Delon announced his decision to give up acting in 1997, although he still occasionally accepts roles. Business career In the 1970s Delon expanded his interests. He bought trotters and promoted fights.[18] Since the formation of a perfume label in his name, Delon has had a variety of products sold under his name including wristwatches, clothing, eyewear, stationery and cigarettes.[19][20] Delon's sunglasses brand became particularly popular in Hong Kong after actor Chow Yun-fat wore them in the 1986 crime film A Better Tomorrow (as well as two sequels). Delon reportedly wrote a letter thanking Chow for helping the sunglasses sell out in the region.[21] The film's director John Woo has acknowledged Delon as one of his idols and wrote a short essay on Le Samourai as well as Le Cercle Rouge for the Criterion Collection DVD releases.[22] Personal life Alain Delon in Belgrade, 1962 On 20 March 1959, Delon was engaged to actress Romy Schneider, whom he met when they co-starred in the film Christine (1958).[23] During their relationship, he had an affair with German actress, singer and model Nico. On 11 August 1962, Nico gave birth to a son, Christian Aaron "Ari", fathered by Delon. The child was raised mostly by Delon's parents. In December 1963, Schneider and Delon decided to break the engagement. On 13 August 1964, Delon married Nathalie Barthélemy. Their son, Anthony Delon, was born in September. Delon filed for divorce in late 1967 but they continued to live under the same roof.[24] The couple divorced on 14 February 1969.[25] In 1968, during the shooting of the film Jeff, he met French actress Mireille Darc with whom he started a 15-year relationship, lasting until 1982. In 1987, Delon met Dutch model Rosalie van Breemen on the set of the music video for his song "Comme au cinéma" and started a relationship. They had two children: Anouchka (25 November 1990) and Alain-Fabien (18 March 1994). The relationship ended in October 2002. During an interview in 2013 Delon came out in support of the French far-right political party National Front, saying "The National Front, like the MCG [Geneva Citizens’ Movement] in Geneva, is very important…I encourage it and I perfectly understand it".[26] Alain Delon lives in Chêne-Bougeries in the Canton of Geneva, Switzerland with his two youngest children. Alain Delon was good friends with, among others, Argentine world champion boxer Carlos Monzon.[27][28] Markovic affair Main article: Markovic affair On 1 October 1968, in the village of Élancourt, Yvelines, on the western outskirts of Paris, the dead body of Stevan Markovic, ex-bodyguard of Delon, was found in a public dump.[29][30] Alain Delon and a Corsican gangster Francois Marcantoni came under investigation. One of the factors pointing in that direction was a letter of Stevan Markovic to his brother Aleksandar where he wrote: "If I get killed, it's 100% fault of Alain Delon and his godfather Francois Marcantoni." Later, the investigation involved the former French Prime Minister (and later President) Georges Pompidou after a few press articles and a testimony of Borivoj Ackov.[31] He testified that he was present at parties with the wife of Pompidou, Stevan Markovic and Alain Delon. The death of Stevan Markovic provoked a lot of rumors, suggesting the existence of group sex photos with Pompidou's wife. Pompidou himself accused Louis Wallon and Henri Capitant for using the French espionage service SDECE with an aim to set him up. After becoming President of the Republic, he named Alexandre de Marenches as the head of the SDECE in order to reform it. Assisted by Michel Roussin, his principal private secretary, de Marenches expelled a "secret agent" involved in investigation Jean-Charles Marchiani.[32] Other legal troubles In 1969 Delon was given four months in jail by an Italian court for assaulting an Italian photographer.[33] De Gaulle document In 1970 it was reported that Delon, through a friend, purchased a copy of the original manuscript of Charles De Gaulle's 1940 speech to the French encouraging them to resist the Germans. Delon paid 300,000 francs for the manuscript then returned it to the government.[34][35] Influences Delon's favorite actor was John Garfield. He also admired Montgomery Clift, Marlon Brando and Robert Walker.[36] Honours and cultural impacts At the 45th Berlin International Film Festival, he won the Honorary Golden Bear.[37]At the 2008 César Awards on February 22, 2008, he presented the César Award for Best Actress to Marion Cotillard for La Vie En Rose.Delon appears on the cover of the 1986 album The Queen Is Dead by The Smiths.He was made Officier (Officer) of the Ordre national du Mérite in 1995.[38]He was made Chevalier (Knight) of the Légion d'honneur on 21 February 1991.[39] He was promoted to Officier (Officer) in 2005.[39]The song "Beautiful Killer" on Madonna's twelfth studio album MDNA is a tribute to Delon.[40] Filmography Year Title Role Director Notes 1957 Quand la femme s'en mêle Jo Yves Allégret 1958 Sois belle et tais-toi Loulou Marc Allégret Christine Franz Lobheiner Pierre Gaspard-Huit with Romy Schneider 1959 Women are Weak (Faibles femmes) Julien Fenal Michel Boisrond with Mylène Demongeot Le chemin des écoliers (fr) Antoine Michaud Michel Boisrond with Bourvil and Lino Ventura 1960 Rocco and His Brothers Rocco Parondi Luchino Visconti with Annie Girardot Purple Noon (Plein Soleil) Tom Ripley René Clément with Marie Laforêt 1961 The Joy of Living (Che gioia vivere) Ulysse Cecconato René Clément nominated for the Palme d'Or 1961[41] Les Amours célèbres (fr) Prince Albert Michel Boisrond anthology film 1962 Love at Sea (L'Amour à la mer) A film star Guy Gilles L'Eclisse Piero Michelangelo Antonioni with Monica Vitti Carom Shots (Carambolages) Monsieur Lambert Marcel Bluwal cameo appearance The Devil and the Ten Commandments (Le Diable et les Dix Commandements) Pierre Messager Julien Duvivier anthology film 1963 Joy House (Les Félins) Marc René Clément with Jane Fonda Any Number Can Win (Mélodie en sous-sol) Francis Verlot Henri Verneuil with Jean Gabin The Leopard Tancredi Luchino Visconti nominated – Golden Globe Award for Most Promising Newcomer – Male with Burt Lancaster and Claudia Cardinale The Black Tulip Guillaume/Julian de Saint Preux Christian-Jaque dual role 1964 L'Insoumis Thomas Vlassenroot Alain Cavalier with Lea Massari 1965 The Yellow Rolls-Royce Stefano Anthony Asquith anthology film Once a Thief Eddie Pedak Ralph Nelson with Ann-Margret, Van Heflin and Jack Palance Is Paris Burning? (Paris brûle-t-il?) Jacques Chaban-Delmas René Clément written by Gore Vidal and Francis Ford Coppola 1966 Texas Across the River (Texas nous voilà) Don Baldazar Michael Gordon with Dean Martin Lost Command Capt. Philippe Esclavier Mark Robson with Anthony Quinn, George Segal, Michèle Morgan and Claudia Cardinale 1967 The Last Adventure Manú Robert Enrico with Lino Ventura and Joanna Shimkus Diabolically Yours (Diaboliquement vôtre) Pierre Julien Duvivier with Senta Berger Le Samouraï Jef Costello Jean Pierre Melville with Nathalie Delon 1968 Spirits of the Dead (Histoires extraordinaires) William Wilson Louis Malle anthology film Farewell Friend (Adieu l'ami) Dino Barran Jean Herman with Charles Bronson and Brigitte Fossey The Girl on a Motorcycle (La Motocyclette) Daniel Jack Cardiff with Marianne Faithfull 1969 Jeff Laurent Jean Herman with Mireille Darc The Sicilian Clan (Le Clan des Siciliens) Roger Sartet Henri Verneuil with Lino Ventura and Jean Gabin The Swimming Pool (La Piscine) Jean-Paul Jacques Deray with Romy Schneider and Jane Birkin 1970 Madly (fr) Julien Dandieu Roger Kahane with Mireille Darc Doucement les basses (fr) Simon Jacques Deray with Nathalie Delon Borsalino Roch Siffredi Jacques Deray with Jean-Paul Belmondo and Catherine Rouvel Le Cercle rouge Corey Jean-Pierre Melville with Bourvil, Gian Maria Volonté and Yves Montand 1971 The Assassination of Trotsky Frank Jackson Joseph Losey with Richard Burton as Leon Trotsky Fantasia chez les ploucs (fr) A passenger Gérard Pirès cameo appearance Red Sun (Soleil Rouge) Gauche Terence Young with Charles Bronson, Toshiro Mifune and Ursula Andress La Veuve Couderc (fr) Jean Lavigne Pierre Granier-Deferre with Simone Signoret and Ottavia Piccolo Dirty Money (Un flic) Edouard Coleman Jean-Pierre Melville with Catherine Deneuve 1972 La prima notte di quiete Daniele Dominici Valerio Zurlini with Giancarlo Giannini, Lea Massari, Sonia Petrovna and Alida Valli 1973 Shock Treatment Dr. Devilers Alain Jessua with Annie Girardot No Way Out (Tony Arzenta) Tony Arzenta Duccio Tessari Scorpio Jean Laurier Michael Winner with Burt Lancaster and Gayle Hunnicutt The Burned Barns Judge Larcher Jean Chapot with Simone Signoret and Miou-Miou La Race des seigneurs (fr) Julien Dandieu Pierre Granier-Deferre with Sydne Rome and Jeanne Moreau Two Men in Town (Deux hommes dans la ville) Gino Strabliggi José Giovanni with Jean Gabin, Mimsy Farmer and Gérard Depardieu 1974 Borsalino & Co. Roch Siffredi Jacques Deray sequel to Borsalino Les Seins de glace (fr) Marc Rilson Georges Lautner with Claude Brasseur and Mireille Darc 1975 Zorro Don Diego de la Vega/Zorro Duccio Tessari with Stanley Baker and Ottavia Piccolo Le Gitan (fr) Hugo Sennart José Giovanni also produced by Alain Delon Flic Story Roger Borniche Jacques Deray with Jean-Louis Trintignant and Claudine Auger 1976 Comme un boomerang (fr) Jacques Batkin José Giovanni credited as writer Armaguedon Doctor Michel Ambroise Alain Jessua Monsieur Klein Robert Klein Joseph Losey César Award for Best Film 1977 L'Homme pressé (fr) Pierre Niox Édouard Molinaro with Mireille Darc Death of a Corrupt Man (Mort d'un pourri) Xavier Maréchal Georges Lautner with Ornella Muti, Stéphane Audran and Mireille Darc Le Gang Robert Jacques Deray credited as producer 1978 Attention, les enfants regardent (fr) "The Man" Serge Leroy with Sophie Renoir 1979 The Concorde ... Airport '79 Paul Metrand David Lowell Rich with Robert Wagner, Susan Blakely and Sylvia Kristel The Medic (Le Toubib) Jean-Marie Desprès Jean Freustié with Véronique Jannot 1980 Three Men to Kill (Trois hommes à abattre) Michel Gerfaut Jacques Deray credit as writer 1981 Teheran 43 Foche Aleksandr Alov and Vladimir Naumov Golden Prize at the Moscow International Film Festival 1981 For a Cop's Hide (Pour la peau d'un flic) Choucas Alain Delon credited as director and writer 1982 The Shock (Le choc) Martin Terrier Robin Davis with Catherine Deneuve 1983 Le Battant Jacques Darnay Alain Delon with Anne Parillaud 1984 Notre histoire Robert Avranches Bertrand Blier with Nathalie Baye Swann in Love Baron de Charlus Volker Schlöndorff based on Marcel Proust, with Jeremy Irons, Ornella Muti 1985 Parole de flic Daniel Pratt José Pinheiro with Fiona Gélin 1986 Le Passage (fr) Jean Diaz René Manzor with Christine Boisson 1988 Let Sleeping Cops Lie (Ne réveillez pas un flic qui dort) Commissaire Eugène Grindel José Pinheiro credited as co-writer and producer 1990 Dancing Machine Alan Wolf Gilles Béhat Nouvelle Vague Lennox Jean-Luc Godard with Domiziana Giordano 1992 The Return of Casanova (Le Retour de Casanova) Casanova Édouard Niermans Un crime (fr) Charles Durand Jacques Deray credited as writer 1994 L'Ours en peluche Jean Rivière Jacques Deray based on Georges Simenon 1995 A Hundred and One Nights (Les cent et une nuits de Simon Cinéma) Himself Agnès Varda cameo appearance 1996 Le Jour et la nuit (fr) Alexandre Bernard-Henri Lévy with Arielle Dombasle and Lauren Bacall 1997 Une chance sur deux Julien Vignal Patrice Leconte with Jean-Paul Belmondo and Vanessa Paradis 1999 Les Acteurs (fr) Himself Bertrand Blier 2003 Frank Riva (fr) Frank Riva Television Series[42] 2008 Asterix at the Olympic Games (Astérix aux Jeux Olympiques) Julius Caesar Frédéric Forestier and Thomas Langmann with Gérard Depardieu, Clovis Cornillac and Benoît Poelvoorde 2012 Happy New Year, mothers! (С новым годом, мамы!) Himself        ebay3254

  
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PicClick Insights - 1975 Israel FRENCH FILM POSTER Movie GABIN + DELON Hebrew TWO MEN IN TOWN Jewish PicClick Exclusive

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