Silver Star Wars Logo Pendant Necklace Sci-fi Trek Xmas Gift Idea Andor Retro UK

$21.27 Buy It Now or Best Offer, $12.76 Shipping, 30-Day Returns, eBay Money Back Guarantee
Seller: checkoutmyunqiuefunitems ✉️ (3,712) 99.9%, Location: Manchester, Take a look at my other items, GB, Ships to: WORLDWIDE, Item: 276082549638 Silver Star Wars Logo Pendant Necklace Sci-fi Trek Xmas Gift Idea Andor Retro UK. Star Wars Logo Necklace Silver Plated Star Wars Logo Pendant with Necklace Dimensions 60mm x 25mm the chain is 500 mm long An Amazing Keepsake and Souvenir of an Incredible Film. Would Make a Perfect Gift In Excellent Condition Would make an Excellent Gift or Collectable Keepsake to a A Great Film Series In Excellent Condition Please Check out my other Star Wars Items >> CLICK HERE TO VISIT MY SHOP Buy with Confidence please read my feedback from over 1,100 satisfied customer over the past 10 years Read how quickly they receive their items - I post all my items within 24 hours of receiving payment International customers are welcome. I have shipped items to over 120 countries International orders may require longer handling time if held up at customs Returns are accepted - If there is a problem just return it for a full refund I am a UK Seller with 10 Years of eBay Selling Experience Why not treat yourself? I always combine multiple items and send an invoice with discounted postage I leave instant feedback upon receiving yours All payment methods accepted from all countries in all currencies Are you looking for a Interesting conversation piece? A birthday present for the person who has everything? A comical gift to cheer someone up? or a special unique gift just to say thank you? You now know where to look for a bargain!

Thanks for Looking and Best of Luck with the Bidding!!

Also if bidding from overseas and you want your item tracked please select the International Signed for Postage Option For that Interesting Conversational Piece, A Birthday Present, Christmas Gift, A Comical Item to Cheer Someone Up or That Unique Perfect Gift for the Person Who has Everything....You Know Where to Look for a Bargain!

XXXX - DO NOT CLICK HERE - XXXX  

Click Here to Add me to Your List of Favourite Sellers

If You Have any Questions Please Message me through ebay and  I Will Reply ASAP

I have sold items to coutries such as Afghanistan * Albania * Algeria * American Samoa (US) * Andorra * Angola * Anguilla (GB) * Antigua and Barbuda * Argentina * Armenia * Aruba (NL) * Australia * Austria * Azerbaijan * Bahamas * Bahrain * Bangladesh * Barbados * Belarus * Belgium * Belize * Benin * Bermuda (GB) * Bhutan * Bolivia * Bonaire (NL)  * Bosnia and Herzegovina * Botswana * Bouvet Island (NO) * Brazil * British Indian Ocean Territory (GB) * British Virgin Islands (GB) * Brunei * Bulgaria * Burkina Faso * Burundi * Cambodia * Cameroon * Canada * Cape Verde * Cayman Islands (GB) * Central African Republic * Chad * Chile * China * Christmas Island (AU) * Cocos Islands (AU) * Colombia * Comoros * Congo * Democratic Republic of the Congo * Cook Islands (NZ) * Coral Sea Islands Territory (AU) * Costa Rica * Croatia * Cuba * Curaçao (NL)  * Cyprus * Czech Republic * Denmark * Djibouti * Dominica * Dominican Republic * East Timor * Ecuador * Egypt * El Salvador * Equatorial Guinea * Eritrea * Estonia * Ethiopia * Falkland Islands (GB) * Faroe Islands (DK) * Fiji Islands * Finland * France * French Guiana (FR) * French Polynesia (FR) * French Southern Lands (FR) * Gabon * Gambia * Georgia * Germany * Ghana * Gibraltar (GB) * Greece * Greenland (DK) * Grenada * Guadeloupe (FR) * Guam (US) * Guatemala * Guernsey (GB) * Guinea * Guinea-Bissau * Guyana * Haiti * Heard and McDonald Islands (AU) * Honduras * Hong Kong (CN) * Hungary * Iceland * India * Indonesia * Iran * Iraq * Ireland * Isle of Man (GB) * Israel * Italy * Ivory Coast * Jamaica * Jan Mayen (NO) * Japan * Jersey (GB) * Jordan * Kazakhstan * Kenya * Kiribati * Kosovo * Kuwait * Kyrgyzstan * Laos * Latvia * Lebanon * Lesotho * Liberia * Libya * Liechtenstein * Lithuania * Luxembourg * Macau (CN) * Macedonia * Madagascar * Malawi * Malaysia * Maldives * Mali * Malta * Marshall Islands * Martinique (FR) * Mauritania * Mauritius * Mayotte (FR) * Mexico * Micronesia * Moldova * Monaco * Mongolia * Montenegro * Montserrat (GB) * Morocco * Mozambique * Myanmar * Namibia * Nauru * Navassa (US) * Nepal * Netherlands * New Caledonia (FR) * New Zealand * Nicaragua * Niger * Nigeria * Niue (NZ) * Norfolk Island (AU) * North Korea * Northern Cyprus * Northern Mariana Islands (US) * Norway * Oman * Pakistan * Palau * Palestinian Authority * Panama * Papua New Guinea * Paraguay * Peru * Philippines * Pitcairn Island (GB) * Poland * Portugal * Puerto Rico (US) * Qatar * Reunion (FR) * Romania * Russia * Rwanda * Saba (NL)  * Saint Barthelemy (FR) * Saint Helena (GB) * Saint Kitts and Nevis * Saint Lucia * Saint Martin (FR) * Saint Pierre and Miquelon (FR) * Saint Vincent and the Grenadines * Samoa * San Marino * Sao Tome and Principe * Saudi Arabia * Senegal * Serbia * Seychelles * Sierra Leone * Singapore * Sint Eustatius (NL)  * Sint Maarten (NL)  * Slovakia * Slovenia * Solomon Islands * Somalia * South Africa * South Georgia (GB) * South Korea * South Sudan * Spain * Sri Lanka * Sudan * Suriname * Svalbard (NO) * Swaziland * Sweden * Switzerland * Syria * Taiwan * Tajikistan * Tanzania * Thailand * Togo * Tokelau (NZ) * Tonga * Trinidad and Tobago * Tunisia * Turkey * Turkmenistan * Turks and Caicos Islands (GB) * Tuvalu * U.S. Minor Pacific Islands (US) * U.S. Virgin Islands (US) * Uganda * Ukraine * United Arab Emirates * United Kingdom * United States * Uruguay * Uzbekistan * Vanuatu * Vatican City * Venezuela * Vietnam * Wallis and Futuna (FR) * Yemen * Zambia * Zimbabwe and major cities such as Tokyo, Yokohama, New York City, Sao Paulo, Seoul, Mexico City, Osaka, Kobe, Kyoto, Manila, Mumbai, Delhi, Jakarta, Lagos, Kolkata, Cairo, Los Angeles, Buenos Aires, Rio de Janeiro, Moscow, Shanghai, Karachi, Paris, Istanbul, Nagoya, Beijing, Chicago, London, Shenzhen, Essen, Düsseldorf, Tehran, Bogota, Lima, Bangkok, Johannesburg, East Rand, Chennai, Taipei, Baghdad, Santiago, Bangalore, Hyderabad, St Petersburg, Philadelphia, Lahore, Kinshasa, Miami, Ho Chi Minh City, Madrid, Tianjin, Kuala Lumpur, Toronto, Milan, Shenyang, Dallas, Fort Worth, Boston, Belo Horizonte, Khartoum, Riyadh, Singapore, Washington, Detroit, Barcelona,, Houston, Athens, Berlin, Sydney, Atlanta, Guadalajara, San Francisco, Oakland, Montreal, Monterey, Melbourne, Ankara, Recife, Phoenix/Mesa, Durban, Porto Alegre, Dalian, Jeddah, Seattle, Cape Town, San Diego, Fortaleza, Curitiba, Rome, Naples, Minneapolis, St. Paul, Tel Aviv, Birmingham, Frankfurt, Lisbon, Manchester, San Juan, Katowice, Tashkent, Fukuoka, Baku, Sumqayit, St. Louis, Baltimore, Sapporo, Tampa, St. Petersburg, Taichung, Warsaw, Denver, Cologne, Bonn, Hamburg, Dubai, Pretoria, Vancouver, Beirut, Budapest, Cleveland, Pittsburgh, Campinas, Harare, Brasilia, Kuwait, Munich, Portland, Brussels, Vienna, San Jose, Damman , Copenhagen, Brisbane, Riverside, San Bernardino, Cincinnati and Accra

A change in the force When I think of the term “A Hero’s Journey” the first image that comes to mind is Luke Skywalker standing proudly holding an outstretched lightsaber pointing to the stars with Princess Leia kneeling at his feet clutching a blaster as depicted on the cover of the 1978 movie Star wars IV: a New Hope. Like millions of other children, this film was, unknowingly, my first introduction into the idea of heroic archetypes. It was a story of a hero’s awakening and the struggle between the forces of light and dark, with glorious space battles, cocky space pirates and a pretty princess. I would watch the VHS tape multiple times a day. It had a very profound impact on my young mind and although the concept was used many times before, it’s sci-fi themed setting was more than enough to attract the attention millions of other kids and adults alike. It is well documented that George Lucas was heavily inspired by joseph Campbell (1904-1987) and his work, The Hero with a Thousand Faces (1949). In this Campbell outlines what he calls the hero’s journey; this is a motif of adventure and personal transformation that is used in nearly every culture’s mythical framework. This is mirrored in A New Hope where in act one of the hero’s journey we meet Luke Skywalker who lives on the desert planet of Tatooine and works on his uncle’s moisture farm. It is soon after we learn of Luke’s dreams of becoming a pilot but is bound by his obligations to his uncle to help with the harvest which will be ripe soon. When he receives the message contained within the R2-D2 droid from a princess in obvious distress it serves as his call to adventure and inspires his first steps on his journey which will lead him to Obi Wan Kenobi, his future mentor. Luke initially denies the call only changing his mind when his family and home are destroyed, only then accepting the first stage of his journey which is to rescue the princess. The second act is generally when the hero meets allies, enemies, undergoes life and death conflict and completes the main task in his journey. This can be seen when Luke and Ben enlist the services of rogues Han and Chewbacca and experience their first confrontation with the evil empire. As Luke escapes Tatooine in search of the princess on the planet Alderaan it is truly the beginning of his journey as he ventures into space on his quest. Luke receives training from Obi Wan and bonds with Han during this time and eventually meets the princess by the end of act two. Luke is also portraying similar characteristics of the epic hero during this time, starting in his humble beginnings as a farm boy to completing a task meant only for him and displaying many ideals of the epic hero such as morals, strength, faith, intelligence and bravery. While all these characteristics are vital to fulfil the epic hero role, it is faith that Luke must find in the force before he can truly achieve his heroic status. When Luke and the crew of the Millennium Falcon are captured by the death star, the audience is unsure if they will succeed in escaping and weather they rescue the princess along the way. Of course our hero finds the princess and achieves the goal while nearly being killed along the way. Luke escapes the death star and his task is achieved. Over the course of the second act Luke begins to display  the qualities of an epic hero, Luke is seen as morally positive intelligent man, optimistic about his mission and displays strength and bravery in a number of ways. His faith in the mystical force also develops as he preservers to continue forward after the death of his mentor Obi Wan. In the third act Luke displays what he has learnt over the course of his journey. It is only then that the hero can gain the true reward -in Luke’s case this is knowledge. Luke’s final task is to aid in the destruction of the Death Star and will only return if his mission is a success otherwise he will be killed and his journey will be over. During the final assault Luke displays growth as a hero, his belief in the force and his alliance with friend Han Solo further shows his hero status. Luke uses his new knowledge gained from his journey and the force to destroy the Death Star and save the rebel alliance from total destruction. It is at this point Luke Journey comes to an end for a New Hope but is continued by Lucas over the course the trilogy, this even continues into the latest instalment, The Force Awakens released in 2015. Although I have focused on Luke’s role up until this point is also important to note the other archetypes present in The Star Wars movies. Firstly is Han Solo who is possibly the most beloved character in the original trilogy. This is mostly because of his bad boy image and that he is a cynical anti-hero figure and a bit of a “cowboy” who relies mostly on courage and the use of his blaster to escape tight situations. He is an independent and strong character as his name SOLO would suggest. In the first film Han can be seen as a shape shifter, perceived by the main character as someone he is unsure of trusting. Hans’s intentions are hidden as well as his loyalties as he doesn’t want to care about the rebellion or their struggle against the empire. He only wants to care for himself and problems directly affecting him. In the final moments of the battle at the end of Episode IV Han comes to Luke’s aid and ends up joining the struggle with the rebels. Hans’s journey is more about learning to care for others rather than just about himself, this journey continues throughout the second and third films as Han the proven warrior now learns to love. Han is accompanied through the trilogy by his trusty companion Chewbacca. It is common for a hero to befriend a beast along the way as this helps the hero to be reminded of the natural world. Luke’s main companions include the droids C3PO and R2-D2. They mostly serve comic relief and the everyman archetype. They react to situations much like the audience would if they were thrown into the action. They cower and flee from danger but are also the heralds who issue challenges to the hero as well as announce the coming of change in the hero’s future. R2-D2 also serves as the Catalyst of the story. He is passionate and helpful, and is completely dedicated to the cause, he delivered the first call to arms to Luke and eventually accompanying him to his next stage of training with the last remaining Jedi master Yoda. Yoda, similar to Obi Wan before him is the old man mentor archetype, although he also embodies multiple archetypes also. When Yoda first meets Luke in the swamps of Dagobah, he is the trickster who is pretending to be a senile old creature, later it is revealed that he is a threshold guardian who is protecting the wisdom and secrets of the Jedi order until the hero proves himself worthy of such gifts. These secrets also contain the truth about Luke’s family and the eventual downfall of his father, Anakin Skywalker. Yoda is also represents the oracle that possesses the ability to see beyond the present to future possibilities. Luke’s father Anakin Skywalker experiences a true Visionaries arc throughout the series. From a simple slave on Tatooine to becoming one of the last Jedi knights, he remained committed to the order until a vision of his dying mother and death of his beloved wife lead him to the dark side only to be reborn as the tyrannical Darth Vader. Vader is committed to the vision of the empire and remains its most staunch supporter until the undeniable force of change returns him to the light side of the force. This happens as a result of this long lost son Luke who he sacrifices himself to save from the emperor and herald in a new era in the process, which would be led by his children Luke and Leia. Princess Leia represents the feminine in the otherwise male dominated Star Wars universe. In the original trilogy she is firstly depicted as a damsel in distress who is captured by the empire and has to be rescued by the hero’s. She then reveals herself to be a warrior as she fights to escape the Death Star. Later in the series she takes on a leadership role in the rebel alliance and also a romantic role with Han Solo. In the final film of the original trilogy she is revealed to be the twin sister of Luke Skywalker, thus becoming a female counterpart to Luke with the same strength and potential he has. Leia and her mother Padme are also good examples of what may be perceived as gender bias in the original and prequel trilogies. Aside from these characters the Star Wars universe is practically devoid of female characters. Similar to the society we live in, the Star Wars universe is predominantly patriarchal with characters such as Luke Skywalker and Obi Wan Kenobi garnering more attention with the female characters usually taking a back seat to the action when they are around. Characters such as Luke and Obi Wan show qualities such as loyalty, integrity and bravery in the face of overwhelming odds, while the females are mostly submissive with very few opportunities to be heroic themselves. While the male characters mostly fill the role of the archetypal male hero that the audience is used to seeing, they do have some differences. Han Solo for example is good looking, adventurous with a bad boy attitude while at the same time being irresistible to the opposite sex. Luke Skywalker is also adventurous but is different in that by the end of the original trilogy does not win the girl and forgoes the stereotype of “ladies man” in favour of the serious hero with a solemn nature similar to the samurai found in the Kurosawa films that originally inspired Lucas. The Jedi from the prequels follow much the same archetypes, female Jedi are present in these movies but are mostly relegated to the background in scenes with no input of value coming from them during the course of the movies. Female villains are also noticeably missing from the films and females in general and are nowhere to be found in the ranks of the Galactic Empire, with the addition to the noticeable lack of alien creatures as well. Although, this may have been a product of the times of the original films production as women in general would not be viewed as legitimate villains. Regardless of the real reasons for this the Star Wars universe is practically devoid of female heroes and villains alike. also worth noting is that the female characters do little to further the cause of the hero’s and will often get in the way, requiring the hero’s take time to rescue them. Leia may be an exception to this; she is the most influential female character by far in the Star Wars universe and after the release of Episode IV in 1977 lead to a noticeable uprising in strong female leads in film. Two years later we would see possibly the most heroic female character ever, Ellen Ripley appears in the hit horror movie Alien. With Linda Hamilton’s Sarah Connor furthering the cause in 1984’s The Terminator a few years later. How much influence Princess Leia had over these characters is easy to see. Leia is headstrong and cocky and when we are first introduced to her she is perceived by the audience as an authority figure being no way over sexualized. Even in the face of her captures she is fearless which is uncharacteristic of the damsel in distress idea. Episode IV is basically a story about a princess who needs to be rescued from the villain’s stronghold. Women are seen to be on a lower threshold than men and require rescuing as they cannot do so themselves, interestingly, as soon as the male heroes rescue Leia, she takes control of the situation telling the heroes what to do, even rescuing them in the process. At one point she even takes the weapon from Luke to open up a pathway to escape. When they finally escape the Death Star, Leia is also the only one to realise that their escape may have been too easy with the real reason being that they would be used to track the location of the rebel bases. As part of the Rebellion, Leia is also regarded as an authority figure. She orders the all-male rebel pilots around throughout the original trilogy. She is seen as an important and influential strong female protagonist.  Gwendolyn Glover, a noted feminist blogger writes, “I know that for many, Princess Leia is a sex symbol. The unattainable and perfect woman. For me, Princess Leia is my feminist icon. She was my first (and pretty much only) female role model for feminism…. In a male dominated universe, she stood out as a force to be reckoned with. Tough, smart, and outspoken, she typified everything that I wanted to be,”(Glover, 2009). Leia’s role in Episode IV does a lot for female protagonists in the film industry. With the release of Episode V: The Empire Strikes Back in 1980 Leia’s character conforms more to the traditional female character roles seen up until then in film. Her romance with Han Solo is a stark contrast to her disinterest in the male leads in the first film and she quickly becomes useless for the majority of the film. In the first 15 minutes of Episode V Han is required to rescue her from the crumbling ruins of the rebel base on Hoth while she displays fear of rodents and requires a male to kill them for her. Which all seems out of place for such an independent character who, in the previous film required none of this attention from her male counterparts and spends the majority of this film falling in love with one of them. One scene in particular stands out in Episode V: The Empire Strikes Back. When Leia is confronted by Han, she is backed into a corner and asked about her true feelings, the male character takes her hands preventing her escape. The scene ends as she succumbs to her feelings and passionately kisses her capture. This scene can easily be construed as disturbing as it may teach men that borderline violent behaviour or intimidation is a viable way to a woman’s heart. This trend continues in Episode VI: Return of the Jedi when after rescuing Han from Jabba the Hutt, Leia is herself captured and forced to wear a gold bikini and lie at the foot of Jabba’s bed with a collar around her neck, waiting to be rescued by a man. in this we see leia’s change from the first film where she is dresses from head to toe in white to the final film where we see her practically naked creating one of the most iconic images of male fantasy ever to be seen on the big screen. After she is rescued by Luke she succeeds in killing Jabba (who resembles a giant phallus) with the chain that was previously used to hold her. Towards the end of the film, Leia redeems herself by saving Hans life by shooting attacking Stormtroopers in the film’s final battle. Thus, although Leia conforms to the traditional gender roles, she does project some positive traits throughout the course of the original trilogy. With the release Star Wars: Episode VII – The Force Awakens in 2015, popular culture was still lacking adequate female representation and role models. When a woman was cast as the lead character in the latest instalment of the Star Wars Saga it was a regarded as a big deal. Rey, played by Daisy Ridley was both a protagonist and a hero, she has no romantic interests, wears combat outfits and fights villains just like Anakin and Luke in the trilogies before her . Starting out as a scavenger on Jakku she combines some of the best traits of Luke Skywalker, Leia Organa and Han Solo and is both a relatable and believable female lead which is rare to see in films even today. This leads to breaking the stereotype which is present in the earlier films and reinforces the gender balance. Young girls growing up with these new films will have a role model to look up to, while boys will see Rey as a hero regardless of gender. Rey, and her companion Finn mirror well-known initiation myths from mythology: While Finn draws from various Biblical folktales and Celtic myths, Rey’s story is a updated version of one of the oldest myths, The Epic of Gilgamesh, while adding a feminist interpretation (Glen Robert Gill, 2016). Rey’s struggle with the main villain Kylo Ren, who is later revealed to be the son of Han Solo and Leia Organa, resembles mythic themes of relations and rivalries between siblings. Although Rey’s lineage is kept secret from the viewer, the idea that she is a Skywalker would make perfect archetypal sense. When we are introduced to Rey we quickly realise she will follow much of the same traits as J.J. Abrams previous leading female characters such as Jennifer Garner of Alias and Anna Torv of Fringe. Rey is a solitary hero who resides in the desert. Her name evokes ideas of light or solar heroism (“Ray”) and royalty with Rey meaning “King” in Spanish. Rey however starts at the bottom of the social hierarchy unlike Gilgamesh. While stranded on the planet Jakku we see her scavenging parts from crashed Imperial ships as a means to survive which may be a forecasting of her future as a rebel. Rey is an inverted feminist version of Gilgamesh that will have to be trained and moulded with the martial tradition of the Jedi order to become a Jedi and possibly even becoming immortal during the course of the new films. Rey is also an orphan similar to Finn that reminds us of many female examples such as Daenerys Targaryen from Game Of Thrones, Jane Eyre or even Annie.  This can have special feminine implications as the search for her family is not just about parental affirmation but also about overcoming social vulnerabilities and inequities. Similar to the first meeting between Gilgamesh and his companion Enkidu, the first time Rey and Finn meet they begin fighting and arguing with each other, only to later find a common purpose. Just as Rey is an inverted feminist Gilgamesh, Finn is an inverted version of Enkidu, Enkidu can be seen as a representation of the natural or uncivilized side of humanity. As Finn is spurred to escape the soulless structure of the First Order to the natural environment of the Resistance by the cold toughness of Captain Phasma, who is the negative projection of the maidenly anima. Phasma’s chrome covered armor projects the mythological idea of the mirror, as this symbolizes self-contemplation and self-examination. As Finn and Rey grow closer as friends, we see in them less as deserters (Finn deserted the First Order, Rey was deserted on the desert planet by her family) but an updated version of the archetypal friendship between Gilgamesh and Enkidu. The friendship that develops between Rey and Finn during The Force Awakens reminds us that friendships born in the midst of battle do not need to be exclusively masculine, and do not have to be endorsed or convoluted by a romantic element. When Rey and Finn escape the planet Jakku they are introduced to Han Solo and Chewbacca, the original trilogy’s version of the same archetypal characters. Han Solo’s return also brings with it the Jung’s archetypal figure “the wise old man”. Just like Obi-Wan Kenobi’s role to Luke in A New Hope, Han becomes a mentor figure to our main characters. Han also affirms the existence of the Force to Rey in the exact same location on board the Millennium Falcon as Obi-Wan Kenobi tutored Luke. Soon after our four heroes meet they must work together to escape gangsters who are attempting to capture Solo, the archetypal significance of this is found in the pursuing group’s destruction by the hideous rathtars that escape their cages during the course of the action, these snake-tentacled creatures are reminiscent of the mythical Medusa that is itself a demonic incarnation of the yonic symbol that Freud called the “vagina dentata”(Leah12. 2012) In relation to Rey’s journey, this can be seen as a parallel of Gilgamesh’s battle with the monstrous Humbaba. In a archetypal sense monsters are generally projections of the negative self or extensions of the viewer’s self-image, it is also worth noting that while Gilgamesh decapitates his monster in an egoistic search for prestige, Rey only dismembers her monster to aid her companion, Finn. It is also notable that during Rey’s martial induction, she generally only uses her developing abilities for defence and enemy persuasion just as the Jedi code demands, and only time she is openly aggressive is when Finn is cut down during his battle with Kylo Ren in the films climax. Rey is basically the 21st century version of Luke Skywalker, a young 20 – something character who is possibly the last hope for the Jedi order. Early in the film when Rey first meets Finn and they are fleeing from pursuing Stormtroopers, Finn repeatedly reaches for Rey’s hand to aid in her escape. Rey snaps at him “I know how to run without you holding my hand”. She also outmatches the main villain Kylo Ren both mentally and physically during the course of the film. One of the more notable scenes involves Han Solo recognising that Rey is somebody who can handle herself, in one scene in particular he offers to show Rey how to use a blaster to which she replies “I think I can handle myself”, his agreement reminds the viewer of how Leia saved his life at the end of Episode VI. He then continues to approve of her proficiency without coming across a patronising, even offering her a job alongside him and letting her fly his beloved Millennium Falcon. Rey is also an example of the young, maidenly aspects of Jung’s term anima, which describes the archetypal feminine. Like much of Abrams previous work it shows an understanding that the anima does not need to be a companion or object of the masculine self which presumes the perspective of the audience, instead being a representation of that perspective. It has also been claimed that Rey’s character is what’s described as a “Mary Sue” type anima archetype (Zulai Serrano, 2015), which claims the character can do no wrong, making her a character too unrealistic for some viewers. The rich feminine dimension of The Force Awakens makes itself very apparent with the first appearance of the droid BB-8, who serves as Rey’s heroic token just as R2-D2 served as Luke’s. The “figure eight” body shape of BB-8 resembles that of theNeolithic Venus, which contrasts against the small phallic structure of R2-D2. BB-8 is what is called ayonic symbol, this is the archetypal image of female embodiment (the chassis of BB-8 houses the reward of the quest which is the map to finding the missing Luke Skywalker, this can also be seen as a sort of rebirth for the character in the process). As stated earlier, the original trilogy had only one main female character and although the Prequels had more female characters their representation was even worse, even going as far as to have Padme (Leia’s mother) dying of a broken heart in Episode VI. The new film takes steps to address this by having several women in key roles. General Leia is the leader of the resistance and has been allowed to age gracefully on screen, she is seen as the role of leader while still being a mother figure throughout. Over the course of the films Leia has moved from a Princess to a General and from a lover to a leader of the Resistance. Leia also functions independently without either Luke or Han which is very different than the last time we seen her in Return of the Jedi. Leia also conforms to the mature pole of the anima archetype, named by Jung as theGreat Mother. This marks a major archetypal change for Leia from the original trilogies, where she often functioned as the pure aspect of the anima, a role now taken by Rey. Leia still remains a positive representation of the anima as she continues to oppose the negative aspects of the anima, which Jung calls theTerrible Mother. This figure is not represented by one character in particular but by a vast destructive power such as the Death Stars of A New Hope and The Return of the Jedi, and its most recent incarnation Starkiller base in The Force Awakens. Where the Great Mother supports and upholds, similar to what Leia does, the Terrible Mother consumes all, as shown in the Death Star’s ability to destroy planets from afar. We are also introduced to the character of Maz Kanata an old, wise mother figure who has been referred to as a female Yoda. It is Maz who gives Rey Luke Skywalker’s lightsaber and “Awakens” the force in her. The fact that this character has been given Yoda’s role is very noticeable and can be seen as a major step in the gender balance issue. To a lesser extent Captain Phasma as a woman under the Stormtrooper suit is completely new to the Star Wars universe. It is also the first time we see female pilots at the controls of the X- wings during the final assault on Starkiller base which was unheard of before the release of the film. The Force Awakens is a game changer in many respects. It honors and updates the themes and tropes fans expect to find in the Star Wars universe by reiterating and reinterpreting compelling characters and symbology from known mythology. While still retaining its traditional values and fearlessly putting a female character such as Rey as the main protagonist and keeps a healthy mix of old and new characters that continue to transcend their archetype roles. The The Force Awakens can also be seen as more of a reboot than a sequel that builds on the best elements from the previous films and what it promises in the future. Whether the story of the Skywalker family continues throughout the course of the new trilogy is still to be determined but with the inclusion of Rey as the hero a new generation of fans (Male or Female) will look up to promises to bring us in new, fascinating directions. A necklace is an article of jewellery that is worn around the neck. Necklaces may have been one of the earliest types of adornment worn by humans.[1] They often serve ceremonial, religious, magical, or funerary purposes and are also used as symbols of wealth and status, given that they are commonly made of precious metals and stones. The main component of a necklace is the band, chain, or cord that wraps around the neck. These are most often rendered in precious metals such as gold, silver, and platinum. Necklaces often have additional attachments suspended or inset into the necklace itself. These attachments typically include pendants, lockets, amulets, crosses, and precious and semi-precious materials such as diamond, pearls, rubies, emeralds, garnets, and sapphires. They are made with many different type of materials and are used for many things and sometimes classed as clothing. Historical Necklaces Neolithic Talc Necklace Prehistoric neckware Prehistoric peoples often used natural materials such as feathers, bone, shells and plant materials to create necklaces. Evidence of early Upper Paleolithic necklace making in southern Africa and east Africa dates back to 50,000 BP.[2] By the Bronze Age metallic jewellery had replaced pre-metallic adornments.[3] Necklaces were first depicted in statuary and art of the Ancient Near East, and early necklaces made of precious metals with inset stones were created in Europe.[4] Broad collar beaded Egyptian necklace of the 12th dynasty official Wah from his Theban tomb Ancient civilizations In Ancient Mesopotamia, cylinder seals were often strung and worn as jewellery.[5] In Ancient Babylon, necklaces were made of carnelian, lapis lazuli, agate, and gold, which was also made into gold chains.[6] Ancient Sumerians created necklaces and beads from gold, silver, lapis lazuli and carnelian.[6] In Ancient Egypt, a number of difference necklace types were worn. Upper-class Ancient Egyptians wore collars of organic or semi-precious and precious materials for religious, celebratory, and funerary purposes.[7] These collars were often ornamented with semi-precious, glass, pottery, and hollow beads.[4] Beads made from a variety of precious and semi-precious materials were also commonly strung together to create necklaces.[8] Gold that was fashioned into stylised plant, animal, and insect shapes were common as well. Amulets were also turned into necklaces.[9] In Ancient Crete necklaces were worn by all classes; peasants wore stones on flax thread while the wealthy wore beads of agate, pearl, carnelian, amethyst, and rock crystal.[4] Pendants shaped into birds, animals, and humans were also worn, in addition to paste beads.[4] A polychromatic Greek necklace with butterfly pendant In Ancient Greece, delicately made gold necklaces created with repoussé and plaited gold wires were worn.[4] Most often these necklaces were ornamented with blue or green enameled rosettes, animal shapes, or vase-shaped pendants that were often detailed with fringes.[4] It was also common to wear long gold chains with suspended cameos and small containers of perfume.[4] New elements were introduced in the Hellenistic period; colored stones allowed for poly-chromatic pieces, and animal-head finials and spear-like or bud shaped pendants were hung from chains.[6] Ancient Etruscans used granulation to create granulated gold beads which were strung with glass and faience beads to create colorful necklaces.[6] In Ancient Rome necklaces were among the many types of jewellery worn by the Roman elite. Gold and silver necklaces were often ornamented with foreign and semi-precious objects such as amber, pearl, amethyst, sapphire, and diamond.[10] In addition, ropes of pearls, gold plates inset with enamel, and lustrous stones set in gold filigree were often worn.[4] Many large necklaces and the materials that adorned the necklaces were imported from the Near East . Byzantine Christian cross necklace Later in the empire, following barbarian invasions, colorful and gaudy jewellery became popular.[10] In the Byzantine era, ropes of pearls and embossed gold chains were most often worn, but new techniques such as the use of niello allowed for necklaces with brighter, more predominant gemstones.[4] The Early Byzantine Era also saw a shift to distinctly Christian jewellery which displayed the new Christian iconography.[6] Timeline of non-classical European necklaces 2000 BC – AD 400: Bronze amulets embossed with coral were common.[4] In Celtic and Gallic Europe, the most popular necklace was the heavy metal torc, made most often out of bronze, but sometimes out of silver, gold, or glass or amber beads.[6] Bronze 4th-century BC buffer-type torc from France AD 400 - 1300: Early European barbarian groups favored wide, intricate gold collars not unlike the torc.[11] Germanic tribes often wore gold and silver pieces with complex detailing and inlaid with colored glass and semi-precious stones, especially garnet.[6] Anglo-Saxon and Scandinavian groups worked mainly in silver, due to a deficit of gold, and wrought patterns and animal forms into neck-rings. In the Gothic period necklaces were uncommon, though there are a few records of diamond, ruby, and pearl necklaces.[11] It was not until the adoption of lower necklines later in the Middle Ages that necklaces became common. 1400 – 1500: During the Renaissance it was fashionable for men to wear a number of chains, plaques, and pendants around their necks, and by the end of the 15th century the wealthiest men would wear great, shoulder covering collars inlaid with gems.[4] Women typically wore simpler pieces, such as gold chains, or strung beads or pearls.[11] By the end of the period, larger, more heavily adorned pieces were common among the wealthy, particularly in Italy.[11] 1500–1600: Long pearl ropes and chains with precious stones were commonly worn.[4] In the latter half of the century, natural adornments, such as coral and pearl, were joined with enamel and metals to create intricate pendants.[12] Heavily jeweled, delicately framed cameo pendants were popular as well.[11] Chokers, last worn commonly in antiquity, also made a resurgence at this time.[6] 1600–1700: Few men in the Baroque period wore jewellery, and for women necklaces were unsophisticated, often a simple strand of pearls or delicately linked and embellished strands of metal with small stones.[4][6] Later in the century, after the invention of new diamond cutting techniques, priority was for the first time given to the jewels themselves, not their settings; it was common for jewels to be pinned to black velvet ribbons.[11] Miniatures also grew in popularity, and were often made into portrait pendants or lockets.[6] 1700–1800: Portrait pendants were still worn, and in extravagantly jeweled settings.[6] The newly wealthy bourgeoisie delighted in jewellery, and the new imitation stones and imitation gold allowed them more access to the necklaces of the time.[6] In the early part of the century, the dominant styles were a velvet ribbon with suspended pendants and the rivière necklace, a single row of large precious stones.[6] By mid-century colorful, whimsical necklaces made of real and imitation gems were popular, and the end of the century saw a neo-Classical resurgence.[6] In the Age of Enlightenment gowns often featured a neck ruffle which women accented with neck ribbons rather than traditional necklaces, but some women did wear chokers inlaid with rubies and diamonds.[4] Seed pearls were introduced to the United States during the Federalist Era, leading to an increase in lacy pearl necklaces.[13] 1800–1870: The low necklines of the court gowns fashionable at this time led to the use of large necklaces set with precious jewels.[4] In Napoleon's court that ancient Greek style was fashionable, and women wore strands of pearls or gold chains with cameos and jewels.[11][14] In the Romantic period necklaces were extravagant: it was fashionable to wear a tight, gem-encrusted collar with matching jewel pendants attached and rosettes of gems with pearl borders.[4] It was also common to wear jeweled brooches attached to neck ribbons.[4] Some necklaces were opulent in that they were made to be dismantled and reconfigured into a shorter necklace, brooches, and a bracelet.[11] Highly embellished Gothic style necklaces from England reflected the crenelations, vertical lines and high relief of the cathedrals.[11] Empress Eugénie popularised bare décolletage with multiple necklaces on the throat, shoulders, and bosom.[4] There was also an interest in antiquity; mosaic jewellery and Roman and Greek necklaces were reproduced.[6] Machine-made jewellery and electroplating allowed for an influx of inexpensive imitation necklaces.[11] 1870–1910: The Edwardian era saw a resurgence of pearl necklaces, in addition to a dog-collar style of necklace made of gold or platinum with inset diamonds, emeralds, or rubies.[4] The Art Nouveau movement inspired symbolic, abstract designs with natural and animal motifs.[6] The materials used - glass, porcelain, bronze, ivory, mother of pearl, horn, and enamel - were not used for their value, but for their appearance.[11][6] 1910–1970: Chanel popularised costume jewellery, and ropes of glass beads were common. The Art Deco movement created chunky, geometric jewellery that combined multiple types of gems and steel.[6] By the 1960s costume jewellery was widely worn, which resulted in seasonal, ever-changing styles of necklaces and other jewellery.[4] Real jewellery that was common in this period included wholly geometric or organically shaped silver necklaces, and precious gems set in platinum or gold necklaces inspired by the time of the French Empire.[4] Love beads (a single strand of stone or glass beads) and pendant necklaces (most often made of leather cords or metal chains with metal pendants) became popular and were worn mostly by men.[4] East Asia China Chaozhu Chaozhu Court necklace of the Qing dynasty In Qing dynasty China, a court necklace, called chaozhu (Chinese: 朝珠), was worn by the Qing dynasty emperors and other members of the imperial family. The court necklace originated from a Buddhist rosary sent in 1643 by the Dalai Lama to the first emperor of the Qing dynasty. The necklace is composed of 108 small beads, with 4 large beads of contrasting stones to symbolize the 4 seasons and was placed between groups of 27 beads. The necklace was also practical as it could be used for mathematical calculations in the absence of an abacus.[15] Necklace with longevity lock pendant Chinese necklace with longevity lock. In China, there is a custom of wearing a necklace with a longevity lock pendant. These lock charms were sometimes personally tied around the necks of children by Buddhist or Taoist priests.[16] The longevity lock is known as changmingsuo (lit. 'longevity lock') has an important form of amulet for children for thousand of years in Chinese culture; according to Chinese beliefs, the changmingsuo protect children from evil spirits and bad luck by locking its wearer's soul and life inside of the lock.[17] The changmingsuo is often made with precious materials, such as gold, silver, and jade, and having auspicious words carved on it.[17] This form of necklace continues to be worn in present-days China. Yingluo Girl wearing a Hanfu and a modern-style, pearl yingluo (left), 2021 Yingluo (simplified Chinese: 璎珞; traditional Chinese: 瓔珞) was a ring-like neck ornament or fashionable necklace which was originally a Buddhist ornament depicted in Buddhist arts (e.g. sculptures and paintings) in China; the yingluo have roots in ancient India where its earlier prototype is the Indian ornament keyūra.[18][19] The depictions of the keyūra was introduced in China along with Buddhism.[18][19] The depictions of yingluo in China, such as those found in Dunhuang, evolved in shape and styles showing the cultural integration of foreign (non-Chinese) culture and the native Chinese culture due to the special characteristics of its geography.[18] The yingluo eventually evolved from an ornament in Buddhist arts and eventually became an actual necklace by the Tang dynasty.[18] The yingluo then became a classical form of necklace in Chinese society throughout centuries.[18] It continues to be worn in present-day, especially as a common hanfu accessory being used by Hanfu enthusiasts since the Hanfu movement.[20] It comes in variety of styles, shapes, and materials.[20] Oceania Tasmania Shell necklaces Aboriginal Tasmanian women have been making shell necklaces from maireener (Phasianotrochus irisodontes) shells for at least 2,600 years, with some major collections in museums. The continuation of the practice is being threatened by reducing supply, and sixth-generation Palawa woman Lola Greeno is concerned that the practice will die out.[21][22] Necklace lengths Necklaces are typically classified by length: Necklace length diagram Collar A collar is about 30 centimetres (12 inch) to 33 centimetres (13inch) long and sits high on the neck. Choker A choker is a close-fitting, short necklace, 35 centimetres (14 in) to 41 centimetres (16 in) long. Princess necklace A princess necklace is 45 centimetres (18 in) to 50 centimetres (20 in) long. Matinee necklace A matinee length necklace is 56 centimetres (22 in) to 58 centimetres (23 in) long. Opera necklace An opera necklace is 75 centimetres (30 in) to 90 centimetres (35 in) long and sits at the breastbone. Rope necklace A rope necklace is any necklace longer than opera length. Lariat necklace A lariat is a very long variation on the rope, without a clasp, often worn draped multiple times around the neck. Gallery Necklace, Late Zhou dynasty (c.1046 to 256 BC), China Necklace, Late Zhou dynasty (c.1046 to 256 BC), China   Tiffany Opal Necklace Tiffany Opal Necklace   Minoan Gold Necklace (Archmus Heraklion) Minoan Gold Necklace (Archmus Heraklion)   Napoleonic-era Diamond Necklace Napoleonic-era Diamond Necklace   Emerald Necklace Emerald Necklace   Carnelian, Limestone, and Quartz Egyptian necklace Carnelian, Limestone, and Quartz Egyptian necklace   Gold Ancient Byzantine Necklace with Pendants Gold Ancient Byzantine Necklace with Pendants   Gold and Glass Vandal necklace, c. AD 300 Gold and Glass Vandal necklace, c. AD 300   Necklace with Relief Pendant Necklace with Relief Pendant   Silver necklace, c. AD 600-650 Silver necklace, c. AD 600-650   Frankish Glass Bead Necklace Frankish Glass Bead Necklace   Gold and Platinum Necklace Gold and Platinum Necklace   Byzantine Christian cross necklace Byzantine Christian cross necklace   Byzantine Christian cross necklace Byzantine Christian cross necklace   German Metal Necklace German Metal Necklace   Necklace made from crochet lace, pearls, and sterling silver. Necklace made from crochet lace, pearls, and sterling silver.   Gold and Platinum French Necklace Gold and Platinum French Necklace   Glass Necklace Glass Necklace   Rosaline Pearl Necklace Rosaline Pearl Necklace   Dirce Repossi White Gold and Diamonds Necklace Dirce Repossi White Gold and Diamonds Necklace   Gold Roman Necklace with Pendant Coins and Braided Chain- Walters 571600 Gold Roman Necklace with Pendant Coins and Braided Chain- Walters 571600   Uranium glass necklace, circa 1940/1950. Uranium glass glows bright green under ultraviolet light. Uranium glass necklace, circa 1940/1950. Uranium glass glows bright green under ultraviolet light. Other neck uses A digital audio player (DAP) designed to be worn around the neck Non-jewellery items are also used similar to a necklace to be worn on a neck, for example lanyards holding badges and cards. See also Cross necklace Choker Collar Figaro chain Jewellery chain Livery collar Locket Love beads Pendant Torc Usekh collar Further reading Jewelry 7,000 Years ed. Hugh Tait. ISBN 0-8109-8103-3. Jewelry Through the Ages by Guido Gregorietti. ISBN 0-8281-0007-1. 20,000 Years of Fashion: The History of Costume and Personal Adornment by Francois Boucher. ISBN 0-8109-1693-2. References  Davenport, Cyril (1902). "Journal of the Society for Arts, Vol. 50, no. 2595". The Journal of the Society of Arts. 50 (2595): 769–780. doi:10.2307/41335652. JSTOR 41335652.  McKie, McKie (16 January 2022). "Trail of African bling reveals 50,000-year-old social network". The Guardian. Archived from the original on 16 January 2022. Retrieved 16 January 2022.  Gerlach, Martin (1971). Primitive and Folk Jewelry. New York: Dover Publications. ISBN 0-486-22747-2.  Bigelow, Marybelle (1979). Fashion in History. Minneapolis, Minnesota: Burgess Publishing Company. ISBN 0-8087-2800-8.  "Cylinder seal and modern impression: hunting scene | Work of Art | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art". The Met’s Heilbrunn Timeline of Art History. Retrieved 2017-11-07.  Tait, Hugh (1986). Jewelry: 7,000 Years. New York: Abradale Press. ISBN 0-8109-8103-3.  "Model collar of Hapiankhtifi | Work of Art | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art". The Met’s Heilbrunn Timeline of Art History. Retrieved 2017-11-07.  "Necklace of Gold Ball Beads | Work of Art | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art". The Met’s Heilbrunn Timeline of Art History. Retrieved 2017-11-07.  "Egyptian Amulets Essay Heilbrunn Timeline of Art History The Metropolitan Museum of Art". The Met’s Heilbrunn Timeline of Art History. Retrieved 2017-11-07.  "Luxury Arts of Rome | Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art". The Met’s Heilbrunn Timeline of Art History. Retrieved 2017-11-07.  Gregorietti, Guido (1969). Jewelry Through the Ages. New York: American Heritage. ISBN 0-8281-0007-1.  "Pendant in the Form of Neptune and a Sea Monster | Work of Art | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art". The Met’s Heilbrunn Timeline of Art History. Retrieved 2017-11-08.  "Necklace | Work of Art | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art". The Met’s Heilbrunn Timeline of Art History. Retrieved 2017-11-09.  "Parure: tiara, necklace, and brooch | Luigi Saulini, John Gibson | 40.20.55a-c | Work of Art | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art". The Met’s Heilbrunn Timeline of Art History. Retrieved 2017-11-08.  Garrett, Valery M. (2007). Chinese dress : from the Qing Dynasty to the Present. Tokyo: Tuttle Pub. ISBN 978-0-8048-3663-0. OCLC 154701513.  "Ancient Chinese Lock Charms". primaltrek.com. Retrieved 2022-08-30.  "Chinese Pendant Accessories | ChinaFetching". ChinaFetching.com. Retrieved 2022-08-30.  Zhuo, Weiyang (2019). "The Fairy Pearl Necklace-the Activation of the Pearl Necklace in Dunhuang Mogao Grottoes from Late Tang Dynasty in Contemporary Jewelry Design" 仙裳珠垂缕—敦煌莫高窟晚唐璎珞在当代首饰设计中的活化. www.cnki.net. Archived from the original on 29 August 2022. Retrieved 29 August 2022.  Zhou, Lin (2011). "The Research on the Keyura Accessory of Liao Dynasty" 辽代璎珞佩饰研究. www.cnki.net. Archived from the original on 29 August 2022. Retrieved 29 August 2022.  网易 (2021-06-01). "璎珞作为汉服搭配的常见饰品,真的价贵吗?". www.163.com. Retrieved 2022-08-29.  Trans, silver (9 August 2020). "Fears Indigenous Tasmanian necklaces could become lost art". noghra News. Retrieved 11 August 2020.  Greeno, Aunty Lolo (26 May 2020). "Tasmanian Aboriginal shell necklaces". The Australian Museum. Retrieved 12 August 2020. vte Jewellery Forms AnkletBarretteBelly chainBelt buckleBindiBolo tieBraceletBroochChatelaineCollar pinCrownCufflinkEarringFerronnièreGenitalLapel pinNecklacePectoralPendantRingTiaraTie chainTie clipTie pinToe ringWatch pocketstrap Making People Bench jewelerClockmakerGoldsmithJewellery designerLapidaristSilversmithWatchmaker Processes CarvingCasting centrifugallost-waxvacuumEnamelingEngravingFiligreeKazaziyeMetal clayPlatingPolishingRepoussé and chasingSolderingStonesettingWire sculptureWire wrapped jewelry Tools Draw plateFileHammerMandrelPliers Materials Precious metals GoldPalladiumPlatinumRhodiumSilver Precious metal alloys Britannia silverColored goldCrown goldElectrumShakudōShibuichiSterling silver ArgentiumTumbaga Base metals BrassBronzeCopperMokume-ganeNickel silver (alpacca)PewterPinchbeckStainless steelTitaniumTungsten Mineral gemstones AgateAmazoniteAmethystAventurineBerylCarnelianChrysoberylChrysocollaDiamondDiopsideEmeraldFluoriteGarnetHowliteJadeJasperKyaniteLabradoriteLapis lazuliLarimarMalachiteMarcasiteMoonstoneObsidianOnyxOpalPeridotPrasioliteQuartzRubySapphireSodaliteSpinelSunstoneTanzaniteTiger's eyeTopazTourmalineTurquoiseVarisciteZircon Organic gemstones AbaloneAmberAmmoliteCopalCoral BlackPreciousIvoryJetNacreOperculumPearlTortoiseshell Other natural objects BezoarBog-woodEbonite (vulcanite)Gutta-perchaHairShell Spondylus shellToadstone Terms Art jewelryCarat (mass)Carat (purity)FindingFineness Related topics Body piercingFashionGemologyMetalworkingPhaleristicsWearable art vte Clothing Headwear BeretCap BaseballFlatKnitHat BoaterBowlerFedoraHomburgTopHelmetHoodKerchiefTurbanVeil Neckwear BandsChokerClerical collarNeckerchiefNecktie AscotBoloBowSchoolStockScarfTippet Tops Blouse Cache-cœurCrop topHalterneckTube topShirt DressHenleyPoloSleevelessTSweater CardiganGuernseyHoodieJerseyPolo neckShrugSweater vestTwinsetWaistcoat Trousers Bell-bottomsBondageCapriCargoChapsFormalHigh waterLowriseJeansJodhpursOverallsPalazzoParachutePedal pushersPhatShorts BermudaCyclingDolphinGymHotpantsRunningSlim-fitSweatpantsWindpantsYoga pants Suits and uniforms Ceremonial dress AcademicCourtDiplomaticFolkJumpsuitMilitary FullMessService SailorCombatPantsuitReligious CassockClericalVestmentSchoolPrisonWorkwear BoilersuitCleanroomHazmatSpaceScrubs Dresses and gowns Formal, semi- formal, informal BacklessBouffant gownCoatdressCocktail Little blackEvening Ball gownDebutantePrincess lineStraplessWeddingWrap Casual HouseJumperRomper suitSheathShirtdressSlipSundress Skirts A-lineBallerinaDenimMen'sMiniskirtPencilPrairieRah-rahSarongSkortTutuWrap Underwear and lingerie Top BraCamisoleUndershirt Bottom DiaperTraining pantsLeggingsPantiesPlastic pantsSlipThongUnderpants Boxer briefsBoxer shortsBriefs Full Bodysuit, adultBodysuit, infantLong underwearSee-throughTeddy Coats and outerwear Overcoats CarChesterfieldCovertDuffelDusterGreatcoat British WarmGuards CoatGrecaOver-frockRiding ShadbellyTrenchUlsterCloak OperaPaletotPeaPoloRaincoat Mackintosh Suit coats Frock coat BekisheRekelMess jacketSuit jacket BlazerSmokingSportsTebaTailcoat DressMorning Other Apron PinaforeBlousonCagouleCape FerraioloInvernessMantle, MonasticMantle, RoyalMozzettaPellegrinaCoateeCut-offGiletJacket DownFlightGoggleHarringtonLeatherMackinawNorfolkSafariJerkinLab coatParkaPonchoRobe BathrobeDressing gownShawlSki suitSleeved blanketWindbreaker Nightwear BabydollBabygrowBlanket sleeperNegligeeNightgownNightshirtPajamas Swimwear BikiniBurkiniBoardshortsDry suitMonokiniOne-pieceRash guardSlingSquare leg suitSwim briefsSwim diaperTrunksWetsuit Footwear BootCourt shoeDress bootDress shoeFlip-flopsSandalShoeSlipperSneakers Legwear SockHold-upsGarterPantyhoseStockingTights Accessories BeltBoutonnièreCoin purseCufflinkCummerbundGaitersGlassesGlovesHeadbandHandbagJewelleryLiveryMuffPocket protectorPocket watchSashSpatsSunglassesSuspendersUmbrellaWalletWatch Dress codes Western Formal Morning dressWhite tieSemi-formal Black lounge suitBlack tieInformalCasual Related Clothing fetishCross-dressingFashion Haute coutureMade-to-measureReady-to-wearLawsTerminology This incomplete list of characters from the Star Wars franchise contains only those which are considered part of the official Star Wars canon, as of the changes made by Lucasfilm in April 2014. Following its acquisition by The Walt Disney Company in 2012, Lucasfilm rebranded most of the novels, comics, video games and other works produced since the originating 1977 film Star Wars as Star Wars Legends and declared them non-canon to the rest of the franchise.[1][2][3] As such, the list contains only information from the Skywalker Saga films, the 2008 animated TV series Star Wars: The Clone Wars, and works published or produced after April 2014. The list is organized in humans and various alien species. No droid characters are included, so for those, see the list of Star Wars droid characters. Some of the characters featured in this list have additional or alternate plotlines in the non-canonical Legends continuity. To see those or characters who do not exist at all in the current Star Wars canon, see the list of Star Wars Legends characters and list of Star Wars: Knights of the Old Republic characters. Humans Humans are a sentient, sapient species in the fictional Star Wars universe. They are the most numerous and dominant species, with apparently millions of major and minor colonies galaxy-wide. Humans are native to many different worlds, and they are characterized by multidimensional complex personalities that are both individual and unique. They are the only race accepted as pure by Emperor Palpatine. By the time the hyperdrive was invented, humans were already present on a few scattered worlds throughout the galaxy; according to the New Essential Chronology, legend says the humans of Coruscant managed to send out a number of 'sleeper ships' between the fall of the Rakatan Infinite Empire and the invention of the hyperdrive. Star Wars humans are mostly biologically identical to real-life humans.[4] The presence of ordinary humans in the story is important dramatically and the first movie establishes their vulnerability and weakness.[5] Luke Skywalker's introduction early in the first movie was rewritten to establish this.[6] In the Star Wars mythology, the human homeworld, according to the New Essential Chronology, is generally believed to be Coruscant. However, there is actually no real consensus on the issue; according to releases from the official Starwars.com site, the ancient human home world has simply been lost to history.[better source needed] Star Wars humans live on many different worlds throughout the galaxy, with many populations living together with several other species—something which is most common either on the cosmopolitan worlds at the core, such as on Coruscant, or on the frontier at the Outer Rim of the galaxy, such as on Tatooine.[citation needed] Skywalker and Solo families Main article: Skywalker family Name Portrayal Description Skywalker family Shmi Skywalker Pernilla August (Episodes I-II) Voice: Pernilla August (The Clone Wars) Anakin Skywalker's mother, and Luke and Leia's paternal grandmother. Qui-Gon Jinn attempts to bargain for her freedom from slavery but fails. Shmi encourages Anakin to leave Tatooine with Qui-Gon to seek his destiny, but Anakin finds it hard to leave without her. A widowed moisture farmer named Cliegg Lars later falls in love with Shmi, and after he purchases her freedom from Watto, they marry. Shmi dies in Anakin's arms after being kidnapped and tortured by Tusken Raiders in Attack of the Clones.[7] Anakin Skywalker Darth Vader Anakin: Jake Lloyd (Episode I),[8] Hayden Christensen (Episodes II-III, VI [Special Edition], Obi-Wan Kenobi),[8] Sebastian Shaw (Episode VI)[8] Voice: Matt Lanter (The Clone Wars, Rebels, Forces of Destiny, Tales of the Jedi),[8] Hayden Christensen (Episode IX; archive audio on Rebels, The Clone Wars) Vader: David Prowse (Episodes IV–VI),[8] Hayden Christensen (Episode III, Obi-Wan Kenobi),[8] Spencer Wilding and Daniel Naprous (Rogue One) Voice: James Earl Jones (Episodes III–VI, Rebels, Rogue One,[8] Obi-Wan Kenobi) Jedi Knight and Dark Lord of the Sith, whose rise, fall and redemption are depicted throughout the first six Star Wars films.[9][10][11][12][13][14] Originally a slave boy from Tatooine,[9] he is believed to be the "Chosen One", a legendary Jedi destined to destroy the Sith and bring balance to the Force.[15] He trains under Obi-Wan Kenobi and secretly marries Padmé Amidala.[10] He later began losing faith in the Jedi Order and turns to the dark side out of desperation to save his wife, becoming Darth Sidious' third apprentice, Darth Vader. However, Padmé still dies, though not before giving birth to twins Luke and Leia, who are kept hidden away from Vader for years.[16] After suffering severe injuries in a duel against Obi-Wan, he is put in a cybernetic suit to help him survive, and as Darth Vader, he serves as Sidious' second-in-command and enforcer throughout the Imperial Era. He is eventually redeemed when he sacrifices himself by killing Sidious to save his son, thus fulfilling the prophecy of the Chosen One. Decades later, his Force spirit, with others, helps Rey defeat a resurrected Sidious to end the Sith once and for all.[17] Luke Skywalker Mark Hamill (Episodes IV–IX, The Mandalorian, The Book of Boba Fett), Aidan Barton (Episode III), Grant Feely (Obi-Wan Kenobi) Body Doubles: Lukaz Leong (Episode IX), Max Lloyd-Jones (The Mandalorian), Graham Hamilton (The Book of Boba Fett) Voice: Mark Hamill (Forces of Destiny) Former moisture farmer and Jedi Knight whose coming of age and rise as a Jedi are portrayed in the original Star Wars trilogy. He is the son of Anakin Skywalker and Padmé Amidala, Leia Organa's twin brother, and Ben Solo's uncle.[18] After his birth, he was adopted by the Lars family on Tatooine to keep him safe and hidden from the Galactic Empire. After the Empire's defeat, Luke becomes a Jedi Master and attempts to rebuild the Jedi Order, starting with briefly training Grogu,[19] but goes into self-exile on the planet Ahch-To after Ben falls to the dark side, becomes Kylo Ren, and takes part in the murder of his other students. He later reluctantly trains Rey, and dies helping the Resistance escape from the First Order. His Force spirit eventually helps Rey defeat a resurrected Palpatine to end the Sith once and for all, and later gives her his blessing to adopt the Skywalker surname and continue his family's legacy. Leia Organa Carrie Fisher (Episodes IV–IX), Aidan Barton (Episode III), Vivien Lyra Blair (Obi-Wan Kenobi) Body Doubles: Ingvild Deila (Rogue One), Billie Lourd (Episode IX) Voice: Julie Dolan (Rebels), Shelby Young (Forces of Destiny), Carolyn Hennesy (Resistance) Princess of Alderaan, and leader of the Rebel Alliance, the New Republic, and the Resistance. She is the daughter of Anakin Skywalker and Padmé Amidala, Luke Skywalker's twin sister, Han Solo's wife, and Ben Solo's mother. After her birth, she was adopted by the Organa family to keep her safe and hidden from the Galactic Empire.[20] While she is Force-sensitive, her powers are weaker than her brother's because she did not train as a Jedi. After her son turns to the dark side and becomes Kylo Ren, she reaches out to him through the Force and helps to redeem him in an act of self-sacrifice. Her Force spirit later gives Rey her blessing to adopt the Skywalker surname and continue her family's legacy. Han Solo Harrison Ford (Episodes IV–VII, IX), Alden Ehrenreich (Solo)[21][22] Voice: A. J. Locascio (Forces of Destiny [young]), Kiff VandenHeuvel (Forces of Destiny [old]) Smuggler and captain of the Millennium Falcon who joins the Rebel Alliance and marries Leia Organa. After his and Leia's son, Ben Solo, turns to the dark side and becomes Kylo Ren, Han attempts to redeem him, only to be killed. After his death, Kylo is haunted by thoughts of his father, and eventually redeems himself after speaking with Han's memory in a vision. Ben Solo Kylo Ren Adam Driver (Episodes VII–IX) Voice: Matthew Wood (Resistance) The son of Han Solo and Leia Organa, the nephew of Luke Skywalker, and the grandson of Anakin Skywalker/Darth Vader. Initially trained by Luke as a Jedi, he is later seduced to the dark side by Supreme Leader Snoke and becomes Kylo Ren, the leader of the Knights of Ren and a high-ranking member of the First Order. He also has an especial connection in the Force with Rey called a 'Force dyad',[23][24] and the two of them develop a complex relationship, in which they are enemies in the war but they have romantic feelings for each other.[25][26][27] Later, he kills his master Snoke to save Rey before taking over as Supreme Leader of the First Order. Eventually, he redeems himself with the help of his parents and Rey. After turning back to the light side, he helps Rey to defeat the resurrected Palpatine, giving his own life to revive her after she is killed in the battle. Extended family Naberrie family – Padmé Amidala's family Main articles: Padmé Amidala and Naboo Name Portrayal Description Padmé Amidala Naberrie Natalie Portman (Episodes I–III) Voice: Catherine Taber (The Clone Wars, Forces of Destiny) Queen and later Senator of Naboo, born Padmé Naberrie, who secretly marries the Jedi Knight Anakin Skywalker and dies giving birth to their twins, Luke and Leia.[28] Jobal Naberrie Trisha Noble (Episodes II-III) Padmé's mother. Pooja Naberrie Hayley Mooy (Episodes II-III) Sola Naberrie's daughter and Padmé's niece. She replaces Jar Jar Binks as Senator of the Chommell Sector.[citation needed] Ruwee Naberrie Graeme Blundell (Episodes II-III) Padmé's father. Ryoo Naberrie Keira Wingate (Episodes II-III) Padmé's niece, Sola Naberrie's daughter and Pooja's older sister. Sola Naberrie Claudia Karvan (Episodes II-III) Padmé's older sister, the mother of Ryoo and Pooja Naberrie. Lars family – Luke's adoptive family Name Portrayal Description Beru Whitesun Lars Shelagh Fraser (Episode IV),[8] Bonnie Piesse (Episodes II-III, Obi-Wan Kenobi)[8] Step-aunt and surrogate mother to Luke Skywalker. In A New Hope, she and her husband Owen are killed by stormtroopers at their home on Tatooine. In the prequel films, Beru is Owen's girlfriend in Attack of the Clones, then wife in Revenge of the Sith, where the two take custody of the infant Luke at the end of the latter film.[29] Cliegg Lars Jack Thompson (Episode II) Moisture farmer who purchases, then frees and marries, Shmi Skywalker, becoming the stepfather of Anakin Skywalker, whom he meets only briefly in Attack of the Clones.[30] He loses his leg when pursuing the Sand People who had kidnapped Shmi.[30] The name Cliegg, and variations of it, have been in Star Wars drafts since 1974.[30] Owen Lars Phil Brown (Episode IV),[8] Joel Edgerton (Episodes II-III, Obi-Wan Kenobi)[8] Step-uncle and surrogate father of Luke Skywalker. In A New Hope, Owen and his wife, Beru, are killed by stormtroopers at their home on Tatooine. In the prequel films, Owen is the son of Cliegg Lars and stepbrother of Anakin Skywalker. He and his wife Beru take custody of Luke at the end of Revenge of the Sith.[31] Organa family – Leia's adoptive family Main article: Alderaan Name Portrayal Description Bail Organa Jimmy Smits (Episodes II-III, Rogue One, Obi-Wan Kenobi)[32] Voice: Phil LaMarr (The Clone Wars, Rebels) Leia Organa's adoptive father, the Senator of Alderaan and one of the Rebel Alliance's founding members. He adopts Leia after her birth mother, Padmé, dies and her birth father, Anakin Skywalker, turns to the dark side in Revenge of the Sith.[11] Bail is killed in the destruction of Alderaan by the Death Star in A New Hope.[33] He first appeared in Attack of the Clones, portrayed by Jimmy Smits, though he appeared in scenes cut from The Phantom Menace, where he was portrayed by Adrian Dunbar,[33] with Dunbar's character retconned into a separate character named Bail Antilles. Breha Organa Rebecca Jackson Mendoza (Episode III), Simone Kessell (Obi-Wan Kenobi) Queen of Alderaan, wife of Bail Organa, and adoptive mother of Leia Organa. She is killed in the destruction of Alderaan. Breha is also featured in the short story "Eclipse" and in the 2017 novel Leia, Princess of Alderaan.[34][35] Force-wielders Main articles: Jedi and Sith The Force is a metaphysical energy field generated by microscopic lifeforms called midi-chlorians, connecting all living things and binding the universe together. Certain individuals, including within the Human species, are more closely connected to the Force than others, granting various supernatural powers and abilities. Force-wielders (along with other species) can be divided into those affiliated with the Light Side of the Force (namely Jedi), and those affiliated with the Dark Side, such as Sith (antithesis to the Jedi), Dark Jedi (former Jedi who have fallen to the Dark Side), and Inquisitors (Jedi hunters trained by Darth Vader and serving the Empire). Name Portrayal Description Jedi and Light side affiliates Depa Billaba Dipika O'Neill Joti (Episodes I-II) Voice: Archie Panjabi (The Bad Batch) Jedi Master on the Jedi High Council who falls into a six-month coma after an encounter with General Grievous on Haruun Kal. While recovering, she forms a bond with Padawan Caleb Dume (who will later become known as Kanan Jarrus), whom she takes on as her apprentice. She sacrifices herself during Order 66 to save her Padawan. Ezra Bridger Voice: Taylor Gray (Rebels, Forces of Destiny) Fourteen-year-old con artist, thief, and pickpocket living on the Outer Rim world of Lothal as the Empire strip mines the resources of his homeworld for Sienar's TIE fighter production. He is able to use the Force, and has used it to get out of certain predicaments. Stealing to survive, he had no real loyalty to anyone until he met the crew of the Ghost, and began training as a Jedi under Kanan Jarrus.[36] After finally liberating Lothal, he goes missing alongside Grand Admiral Thrawn in the Unknown Regions. Eno Cordova Voice: Tony Amendola (Jedi: Fallen Order) Jedi Master, presumed survivor of Order 66, and former mentor of Cere Junda and owner of BD-1. He discovered an ancient vault built by the Force-sensitive Zeffo on the planet Bogano, where he hid a Jedi Holocron containing a list of Force-sensitive children, in the hopes that it could someday help rebuild the Jedi Order. Cin Drallig Nick Gillard (Episode III) Voice: Robin Atkin Downes (The Clone Wars) Jedi Master who serves as the battlemaster and head of security for the Jedi Temple in the final days of the Clone Wars. He is killed by Darth Vader during the siege of the temple in Revenge of the Sith. Sifo-Dyas Voice: Paul Nakauchi (The Clone Wars) Jedi Master who is impersonated by Count Dooku to order the creation of the Clone army. Prior to the Separatist Crisis, he travelled to Oba Diah to resolve a dispute with the Pyke Syndicate. However, his ship was shot down by the Pykes under the orders of Count Dooku and he died in the crash. Kanan Jarrus Caleb Dume Voice: Freddie Prinze Jr. (Rebels, Episode IX, The Bad Batch) Jedi survivor of Order 66, and the de facto leader of the Ghost crew. Born as Caleb Dume, he changed his name to Kanan Jarrus to hide during Order 66; after the death of his Jedi Master, Depa Billaba, who sacrificed herself for him to escape.[37] Later, Kanan met Hera Syndulla, and became the Jedi master of Ezra Bridger. He carries a DL-18 blaster and a blue lightsaber with a detachable hilt piece to disguise its true purpose. He is uncertain of himself in training Ezra, due to not finishing his Jedi training himself. Kanan later sacrifices himself to allow Hera to escape from an Imperial prison on Lothal, though his legacy will live through their son, Jacen Syndulla. Kanan also appears as a disembodied voice in The Rise of Skywalker, empowering Rey to face the revived Palpatine. Qui-Gon Jinn Liam Neeson (Episode I, Obi-Wan Kenobi) Voice: Liam Neeson (Episodes II, IX; The Clone Wars, Tales of the Jedi), Micheál Richardson (Tales of the Jedi [young])[38] Jedi Master featured in the prequel trilogy. He was trained by Count Dooku, and is the mentor of Obi-Wan Kenobi. He also discovers Anakin Skywalker on Tatooine and vows to train him, but is killed on Naboo in a duel with Darth Maul.[39] Qui-Gon is the first known Jedi to discover the ability to become a disembodied Force spirit after death. He later begins communicating with Yoda through the Force to teach him this ability. Later, he does the same with Kenobi, having furthered his understanding to manifest as a Force Ghost. Qui-Gon also appears as a disembodied voice in The Rise of Skywalker, empowering Rey to face the revived Palpatine. Cere Junda Voice: Debra Wilson (Jedi: Fallen Order) Former Jedi Knight who trained Trilla Suduri, survivor of Order 66, and the co-pilot of the Stinger Mantis. She becomes the mentor figure and master for Cal Kestis, while trying to escape her troubled past and resume her own role as a Jedi. Obi-Wan Kenobi Ben Kenobi Alec Guinness (Episodes IV–VI),[8] Ewan McGregor (Episodes I–III, Obi-Wan Kenobi)[8] Voice: James Arnold Taylor (The Clone Wars, Rebels [young]),[8] Stephen Stanton (Rebels [old]), Alec Guinness (Episodes VII, IX [archive]), Ewan McGregor (Episodes VII, IX) Wise and skilled Jedi Master who trained Anakin Skywalker and later Luke Skywalker. He was trained by Qui-Gon Jinn and fought as a Jedi General during the Clone Wars, later becoming a member of the Jedi Council. After surviving Order 66, he goes into hiding on Tatooine and watches over Luke until he grows old enough to teach him the ways of the Jedi. Although he is killed in a duel with his former pupil, who has become Darth Vader, he continues to guide Luke as a Force spirit.[40] Obi-Wan also appears as a disembodied voice in The Rise of Skywalker, empowering Rey to face the revived Palpatine. Cal Kestis Voice: Cameron Monaghan (Jedi: Fallen Order) Jedi Padawan trained by Jaro Tapal and a survivor of Order 66, who embarks on a mission to rebuild the Jedi Order after joining the Stinger Mantis crew. He is the protagonist of the video game Star Wars Jedi: Fallen Order. Jocasta Nu Alethea McGrath (Episode II) Voice: Flo DiRe (The Clone Wars) Jedi librarian featured in the prequel trilogy. She survives Order 66, but is later killed by Darth Vader. Rey Daisy Ridley (Episodes VII–IX) Voice: Daisy Ridley (Forces of Destiny) Orphan Force-sensitive scavenger from the planet Jakku, and Emperor Palpatine's secret granddaughter. She later trains to become a Jedi under Luke Skywalker and Leia Organa. She also has a complicated relationship with the fallen Jedi Kylo Ren, with whom she has a unique connection in the Force called a 'Force dyad',[23][24] and they develop romantic feelings for each other.[25][26][27] She eventually helps to redeem Kylo Ren after saving his life following their last duel and he helps her to confront her grandfather. With the aid of the redeemed Ben Solo and the past Jedi, Rey manages to defeat Palpatine and the Sith Eternal, finally ending the Sith Order. She is the protagonist of the sequel trilogy. Mace Windu Samuel L. Jackson (Episodes I–III) Voice: Samuel L. Jackson (The Clone Wars film, Episode IX), Terrence Carson (The Clone Wars TV series, Tales of the Jedi) Jedi Master featured in the prequel trilogy, regarded as one of the best swordsmen in Jedi history.[41] He serves as Master of the Jedi Order in the years leading up to the Clone Wars and is a renowned Jedi General. In Revenge of the Sith, he attempts to arrest Chancellor Palpatine upon learning that he is the Sith Lord Darth Sidious, but Sidious kills Windu with Anakin Skywalker's help, who then becomes Darth Vader.[42] Windu also appears as a disembodied voice in The Rise of Skywalker, empowering Rey to face the revived Palpatine. Sith and Dark side affiliates Darth Bane Voice: Mark Hamill (The Clone Wars) Sith Lord who lived over a thousand years before the Clone Wars, and created the "Rule of Two" that states there shall only ever be two Sith at a time, a Master and an Apprentice. An illusion of him appears during the episode Sacrifice of The Clone Wars to confront Yoda on Moraband and offer him the chance to join the dark side of the Force, but is rejected by Yoda.[43] Count Dooku Darth Tyranus Christopher Lee (Episodes II-III) Voice: Christopher Lee (The Clone Wars film), Corey Burton (The Clone Wars TV series, Tales of the Jedi) The Count of Serenno, former Jedi Master, leader of the Confederacy of Independent Systems (CIS), and Darth Sidious' second Sith apprentice as Darth Tyranus.[44] He was introduced in Attack of the Clones as a former student of Yoda and the Jedi master of Qui-Gon Jinn. He also trained General Grievous, Asajj Ventress, and briefly Savage Oppress, and recruited Jango Fett as the template for the Clone army. He is ultimately betrayed by Sidious and killed by Anakin Skywalker, who replaces him as Sidious' apprentice in Revenge of the Sith.[44] Dooku is also a major antagonist in The Clone Wars series. Taron Malicos Voice: Liam McIntyre (Jedi: Fallen Order) Jedi Master who fought in the Clone Wars and survived Order 66. Left stranded on Dathomir for years, he eventually succumbed to the dark side and sought to learn the Nightsisters' magic by manipulating Nightsister Merrin. He attempts to lure Cal Kestis to the dark side, but Kestis defeats him with Merrin's help, who buries him alive. Sheev Palpatine Darth Sidious Ian McDiarmid (Episodes I–III, V–VI, IX, Obi-Wan Kenobi)[8] Voice: Clive Revill (Before Episode V remaster in 2004),[8] Ian Abercrombie and Tim Curry (The Clone Wars),[8] Sam Witwer (Rebels season 2), Ian McDiarmid (Rebels season 4, The Clone Wars season 7, The Bad Batch) Naboo senator and later Supreme Chancellor of the Republic, as well as secretly the Sith Lord Darth Sidious. He was trained by Darth Plagueis, whom Sidious eventually killed in his sleep. Sidious has several apprentices thereafter, including Darth Maul, Darth Tyranus, and Darth Vader. Sidious exterminates the Jedi Order and manipulates Jedi Knight Anakin Skywalker into becoming Darth Vader. He also engineers the three-years-long Clone Wars and transforms the Republic into the Galactic Empire. As Emperor, Sidious rules the galaxy for over two decades before Vader kills him to save his son, Luke Skywalker, thus fulfilling the prophecy of the Chosen One.[45] Despite his death and the fall of his Empire, Sidious returns through powerful mastery of the dark side.[a] He masterminds the First Order to build a new Sith Empire. Through his puppet Snoke, Palpatine manipulates Anakin's grandson, Ben Solo, into becoming Kylo Ren.[46] He later unveils the Sith Eternal's massive armada of Xyston-class Star Destroyers, the Final Order, to reclaim the galaxy, but is finally killed by Rey, the last Jedi and Palpatine's granddaughter, ending the rule of the Sith.[48] Sidious is the overarching villain of the Skywalker Saga. Ren Voice: Christian Slater (Lego Star Wars: Terrifying Tales) The leader of the Knights of Ren before Kylo Ren, introduced in the comic The Rise of Kylo Ren. He is heavily scarred and burned around the abdomen and chest, but fully embraces his scars and is always seen shirtless. As a leader, he follows the will of the dark side of the Force and doesn't think of his actions as right or wrong; an ideology which he encourages his fellow Knights to follow. After Ben Solo's fall to the dark side, Ren allows him to join their ranks, as Supreme Leader Snoke vouched for him, but is ultimately killed by him. With Ren's murder, Ben completes his initiation and becomes the new leader of the Knights as Kylo Ren. Second Sister Trilla Suduri Voice: Elizabeth Grullon (Jedi: Fallen Order) Inquisitor and former Jedi Padawan of Cere Junda, who was captured and tortured by the Empire after Cere betrayed her location under intense interrogation. She is the main antagonist of Jedi: Fallen Order, where she is assigned to hunt down Cal Kestis and retrieve a Holocron containing a list of Force-sensitive children. She is later killed by Darth Vader for her failure. The Second Sister also makes a cameo appearance in the comic series Darth Vader: Dark Lord of the Sith. Third Sister Reva Sevander Moses Ingram (Obi-Wan Kenobi) Ruthless, ambitious Inquisitor who survived Order 66 as a Jedi Youngling. She takes special interest in hunting down Obi-Wan Kenobi among other surviving Jedi, blaming him for Anakin Skywalker's turn to the Dark Side to become Darth Vader. Secretly, she plans to use her position to assassinate Vader for killing her Youngling friends, but she fails and is stabbed by Vader, revealing that her treachery was already suspected. Galactic Republic Main articles: Galactic Republic and Clone Wars (Star Wars) The Galactic Republic is a democratic government, overseen by a Galactic Senate, that governed most of the known galaxy for thousands of years. With the help of the Jedi Order, it maintained intergalactic peace, but during its last years, it became highly corrupt, causing numerous planets and systems to abandon the Republic and form the Confederacy of Independent Systems. The ensuing conflict between the two factions became known as the Clone Wars, which Supreme Chancellor Palpatine, secretly the Sith Lord Darth Sidious and the mastermind behind the war, took advantage of to manipulate the Republic's Senators and citizens into supporting his plans for the government's reorganization into the Galactic Empire for the purpose of intergalactic "peace". The Republic serves as the protagonist faction of the prequel trilogy, which depicts its downfall and conversion into the Empire. Name Portrayal Description Faro Argyus Voice: James Marsters (The Clone Wars) Captain of the Senate Commandos who is bribed by Count Dooku to free Viceroy Nute Gunray from Republic captivity. He is later betrayed and killed by Asajj Ventress. Lux Bonteri Voice: Jason Spisak (The Clone Wars) Son of Separatist senator Mina Bonteri, and freedom fighter during the Clone Wars; love interest of Ahsoka Tano. After his mother's assassination, he becomes the representative of his homeworld Onderonn in the Galactic Senate. Captain Colton Jeremy Bulloch (Episode III) Pilot of the Tantive III in Revenge of the Sith. Tan Divo Voice: Tom Kenny (The Clone Wars) Coruscant police inspector during the Clone Wars, often displaying a pompous attitude. His appearance is loosely based on that of actor and director Orson Welles.[citation needed] After the end of the Clone Wars, Divo lived on Alderaan and died when the First Death Star blew up the planet in an event known as "The Disaster." Silman Voice: Brian George (The Clone Wars) Personal aide to Chancellor Valorum, who accompanied Sifo-Dyas on his mission to Oba Diah. He survived the crash, but was taken prisoner by the Pykes. Near the end of the Clone Wars, he is rediscovered by Obi-Wan Kenobi and Anakin Skywalker, but is killed by Count Dooku before he can reveal what he knows to the Jedi. Finis Valorum Terence Stamp (Episode I) Voice: Ian Ruskin (The Clone Wars) The Supreme Chancellor of the Galactic Republic, who is ousted from office in The Phantom Menace, allowing Palpatine to rise to power.[49] Finis valorum is Late Latin for "the end of values". According to performer Terence Stamp, the character was intended by George Lucas to be based on then-President of the United States Bill Clinton as a "good but beleaguered man," although Stamp noted that this had been before the Clinton impeachment trial.[50] Valorum's name stems from the original drafts of The Star Wars, in which it belonged to a character combined with Vader, then Vader's master, before being phased out of the original trilogy.[51] Clone troopers Main article: Clone trooper Clone troopers were the soldiers of the Galactic Republic's army during the Clone Wars. Created from Jango Fett's DNA, they were genetically modified to have accelerated growth and be predisposed toward unquestioning obedience to the chain of command, including being outfitted with mind-controlling biochips, which were put to use during Order 66, when the clone troopers were forced to execute their Jedi Generals. Following the Republic's reorganization into the Galactic Empire, clone troopers were slowly replaced by stormtroopers. Name Portrayal Description Clone troopers and commanders "99" Voice: Dee Bradley Baker (The Clone Wars)[52] Deformed clone trooper who helps the Domino Squad in the Clone Wars. He is killed during one of the battles of Kamino.[53][54] He is the namesake of Clone Force 99. Commander CC-1138 "Bacara" Clone Commander of the 21st Nova Corps, serving under Jedi Ki-Adi Mundi during the Outer Rim Sieges in the last year of the Clone Wars. In Revenge of the Sith, he fights alongside Mundi during the Battle of Mygeeto, but when Order 66 is issued, Bacara and his men unwillingly betray and kill Mundi. Commander CC-5052 "Bly" Voice: Dee Bradley Baker (The Clone Wars) Clone Commander of the 327th Star Corps, serving under Jedi General Aayla Secura during the Clone Wars. In Revenge of the Sith, when Order 66 is issued, Bly and his men unwillingly betray and execute Secura on Felucia. "Boil" Voice: Dee Bradley Baker (The Clone Wars) Clone trooper of the Ghost Company, serving in the 212th Attack Battalion during the Clone Wars. Alongside clone trooper Waxer, he is considered the best scout of the Ghost Company and participates in the Battle of Ryloth and the Second Battle of Geonosis. Commander CC-2224 "Cody" Temuera Morrison (Episode III) Voice: Dee Bradley Baker (The Clone Wars, The Bad Batch)[52][55] Clone Commander of the 212th Attack Battalion, serving under Obi-Wan Kenobi during the Clone Wars. In Revenge of the Sith, he helps Obi-Wan during the Battle of Utapau, but unwillingly betrays and attempts to kill him when Order 66 is issued.[53] CT-4040 "Cutup" Voice: Dee Bradley Baker (The Clone Wars) Clone trooper and member of Domino Squad. He is eaten by a Rishi eel after surviving a Separatist attack on a remote listening post on the Rishi moon. CT-00-2010 "Droidbait" Voice: Dee Bradley Baker (The Clone Wars) Clone trooper and member of Domino Squad, who takes his nickname from the fact that he is always getting shot by training droids. He is killed by Commando Droids while fending off an attack on a remote listening post on the Rishi moon. Commander "Fil" Voice: Dee Bradley Baker (The Clone Wars) Clone Commander serving under Jedi Nadhar Vebb. He is killed while fighting General Grievous' pet Gor. Commander CC-1010 "Fox" Voice: Dee Bradley Baker (The Clone Wars) Clone Commander in charge of the Coruscant Guard during the Clone Wars. Fox is later killed by Darth Vader in Darth Vader: Dark Lord of the Sith for ordering his men to fire on Vader after mistaking him for a Jedi. Commander CC-1004 "Gree" Voice: Temuera Morrison (Episode III), Dee Bradley Baker (The Clone Wars) Clone Commander of the 41st Elite Corps, serving under Jedi Luminara Unduli during the Clone Wars. In Revenge of the Sith, he takes part in the Battle of Kashyyyk and attempts to carry out Order 66 by executing Yoda, but the Jedi Master senses his intentions and swiftly decapitates him and another trooper. Captain CC-5576-39 "Gregor" Voice: Dee Bradley Baker (The Clone Wars, Rebels, The Bad Batch) Clone Commando thought to have died in the Battle of Sarrish. Stricken with amnesia and living on Abafar, he is later told by Colonel Meebur Gascon that he is a clone trooper, and seemingly sacrifices himself to help the Colonel and his droids to get off Abafar to save many Republic lives. However, he survives this ordeal and eventually returns to the Republic, after which he removes his biochip, so that he would not be forced to carry out Order 66. When the Republic is reorganized into the Empire after the end of the Clone Wars, Gregor is forced to train conscripted Imperial soldiers, until the Bad Batch rescue him. Years later, Gregor ends up in the Seelos system with fellow retired clones Rex and Wolffe, and is shown to have developed some eccentric tendencies. He aids a group of rebels against Imperial forces in a skirmish on the planet, and later takes part in a battle to free the planet Lothal from Imperial occupation, though he is fatally wounded by an Imperial technician during the battle. Commander CC-10/994 "Grey" Voice: Dee Bradley Baker (The Bad Batch) Clone Commander of the clone legion led by Jedi Depa Billaba. When Order 66 is issued, he executes Billaba, but ultimately sacrifices himself to allow her Padawan, Caleb Dume, to escape after regaining his free will. He first appeared in the comic book series Kanan. CT-782 "Hevy" Voice: Dee Bradley Baker (The Clone Wars)[52] Clone trooper and commander of Domino Squad, whose nickname comes from the fact that he constantly carries the heavy guns within the squad. He sacrifices himself to destroy a remote listening post on the Rishi moon under attack by the Separatists and alert the Republic of their presence on the moon.[53] Commander CC-1993 "Jet" Voice: Dee Bradley Baker (The Clone Wars) Clone Commander serving under Jedi Ki-Adi-Mundi during the Clone Wars. Captain "Keeli" Voice: Dee Bradley Baker (The Clone Wars) Clone Captain serving under Jedi Ima-Gun Di during the Clone Wars. Both he and Gundi are killed while fending off Separatist forces during the Battle of Ryloth to buy the Republic enough time to deliver supplies to the Twi'leks. Cut Lawquane Voice: Dee Bradley Baker (The Clone Wars, The Bad Batch)[52] Former clone trooper who deserted the army to live a quiet life as a farmer on Saleucami. He has a wife Suu and two children, Jek and Shaeeah. During the Clone Wars, he meets Captain Rex, and the pair eventually come to trust one another after working together to defend Cut's family from Commando Droids, with Rex deciding not to report Cut.[53][56] After the formation of the Galactic Empire, Cut and his family, with help from the Bad Batch, leave Saleucami due to increased military presence on the planet. CC-2237 "Odd Ball" Temuera Morrison (Episode III) Voice: Dee Bradley Baker (The Clone Wars) Clone Commander and pilot, who participates in several battles throughout the Clone Wars under the command of Obi-Wan Kenobi, such as the Battle of Teth, the Battle of Umbara, the Battle of Coruscant, and the Battle of Utapau. A skilled pilot, Odd Ball flies an assortment of starfighters, including the V-19 Torrent and the ARC-170. Commander CT-411 "Ponds" Temuera Morrison (Episode II) Voice: Dee Bradley Baker (The Clone Wars) Fictional universe of Star Wars Concepts The ForceArchitectureClone WarsLanguagesPhysics Characters Films Admiral AckbarPadmé AmidalaCassian AndorWedge AntillesBB-8Tobias BeckettJar Jar BinksC-3POLando CalrissianChewbaccaPoe DameronCount Dooku / Darth TyranusJyn ErsoBoba FettJango FettFinn (FN-2187)Bib FortunaSaw GerreraGreedoGeneral GrievousVice-Admiral HoldoJabba the HuttGeneral HuxQui-Gon JinnK-2SOMaz KanataObi-Wan KenobiOrson KrennicDarth MaulNien NunbPrincess Leia OrganaSheev Palpatine / Darth SidiousCaptain PhasmaAdmiral PiettQi'raR2-D2Kylo Ren (Ben Solo)ReyBodhi RookAnakin Skywalker / Darth VaderLuke SkywalkerSupreme Leader SnokeHan SoloGrand Moff TarkinRose TicoWicket W. WarrickWattoMace WinduYoda Television series The ArmorerCad BaneEzra BridgerThe ClientCara DuneGarsa FwipMoff GideonGroguIG-11The Grand InquisitorKanan Jarrus (Caleb Dume)Greef KargaBo-Katan KryzeKuiilThe Mandalorian (Din Djarin)Migs MayfeldCaptain Rex (CT-7567)Fennec ShandAhsoka TanoAsajj VentressPaz Vizsla Video games HK-47JuhaniKyle KatarnCal KestisKreia / Darth TrayaCarth OnasiAtton RandRevanBastila ShanStarkiller (Galen Marek)Mission VaoIden VersioVette (Ce'na) Other Doctor AphraDarth BaneMara JadeBlack KrrsantanDarth PlagueisRenJacen SoloTag and BinkGrand Admiral ThrawnCobb Vanth Lists The Clone WarsRebelsThe MandalorianThe Book of Boba FettLegends Knights of the Old Republic Groups Families Palpatine familySkywalker familyMax Rebo BandMilitary groups Clone trooperStormtrooperRogue Squadron Organizations Republican factions JediGalactic RepublicRebel AllianceResistance Imperialist factions SithGalactic EmpireFirst Order Independent factions Confederacy of Independent SystemsGuardians of the WhillsHutt CartelMandalorians Planets and moons AlderaanCoruscantDagobahEndorHothJakkuMustafarNabooTatooine Mos EisleyYavin Creatures Humanoid species A–E EwokF–J HuttK–OP–T Tusken RaidersU–Z Wookiee Other creatures BanthaDroidSarlacc Technology Weapons BlasterLightsaber Terrestrial vehicles LandspeederSpeeder bikeSandcrawlerWalkers Starfighters A-wingB-wingU-wingX-wingY-wingTIE fighter Spacecraft Death StarMillennium FalconStar DestroyerTantive IV  Category vte Star Wars Films Skywalker Saga Original trilogy Star Wars (1977)The Empire Strikes Back (1980)Return of the Jedi (1983) Prequel trilogy The Phantom Menace (1999)Attack of the Clones (2002)Revenge of the Sith (2005) Sequel trilogy The Force Awakens (2015)The Last Jedi (2017)The Rise of Skywalker (2019) Animated The Clone Wars (2008) Anthology Rogue One (2016)Solo (2018) Television Holiday Special (1978)The Ewok Adventure (1984)Ewoks: The Battle for Endor (1985) Television series Animated Droids (1985)Ewoks (1985)Clone Wars (2003)The Clone Wars (2008) episodesDetours (unaired)Rebels (2014) episodesForces of Destiny (2017)Resistance (2018)The Bad Batch (2021)Visions (2021)Tales of the Jedi (2022) Live-action The Mandalorian (2019) season 123The Book of Boba Fett (2021)Obi-Wan Kenobi (2022)Andor (2022)Ahsoka (2023)Skeleton Crew (2023) Characters The MandalorianThe Book of Boba FettRebelsThe Clone WarsLegends Knights of the Old Republic Music and audio Audio dramas The Story of Star WarsAudio novelsRadio dramatizations of the films Compositions "Main Title""The Imperial March""Ewok Celebration""Duel of the Fates""Star Wars Theme/Cantina Band" Soundtracks Star WarsThe Empire Strikes BackReturn of the JediEwoksThe Phantom MenaceAttack of the ClonesRevenge of the SithThe Clone WarsThe Force AwakensRogue OneThe Last JediSoloThe Rise of SkywalkerObi-Wan Kenobi Other media Attractions A Galactic SpectacularJedi Training: Trials of the TempleStar Tours The Adventures ContinuePath of JediGalaxy's Edge Millennium Falcon – Smugglers RunRise of the ResistanceGalactic StarcruiserHyperspace MountainLaunch BayStar Wars WeekendsWhere Science Meets ImaginationStar Wars CelebrationIn ConcertHyperspace Lounge Documentaries The Making of Star WarsSP FX: The Empire Strikes BackClassic Creatures: Return of the JediFrom Star Wars to Jedi: The Making of a SagaEmpire of Dreams: The Story of the Star Wars TrilogyScience of Star WarsThe Legacy RevealedStar Wars Tech Lego The Yoda ChroniclesDroid TalesThe Resistance RisesThe Freemaker Adventures Merchandise Action figures Kenner listHasbro Vintage CollectionTransformersPezForce TrainerShepperton Design StudiosTrading cardsVinylmationRollinz toys Other Video games listBooks reference booksStar Wars InsiderComics listmangaLegends charactersThrawn trilogyShadows of the EmpireGalaxiesKnights of the Old RepublicThe Force UnleashedThe Old RepublicThe High Republic Production George LucasLucasfilmCast filmtelevision seriesChanges in film re-releases Han shot firstFilming locationsOpening crawlArtSources and analogues comparison to Star TrekAccolades The Force AwakensSpecial effects of The Empire Strikes BackDuel of the FatesLight & Magic Cultural impact Star Wars fandom 501st LegionRebel LegionReligion ChewbacchusJediism Jedi census phenomenonStar Wars DayFan websites WookieepediaTheForce.NetSpaceballsForce for ChangeChewbacca defenseYoda conditionsDeath Star (business)Strategic Defense InitiativeList of organisms named after the Star Wars seriesRobot Chicken: Star WarsThe Family Guy Trilogy"The Saga Begins"Space JanitorsThe Force Awakens from Its Nap
  • Condition: New with tags
  • Occasion: Anniversary, Christening, Birthday, Christmas, Confirmation/Communion, Engagement, Father's Day, Graduation, Mother's Day, Valentine's Day, Wedding
  • Material: steel
  • Main Stone Colour: Silver
  • Metal: Stainless Steel
  • Colour: Silver
  • Main Stone: Star Wars
  • Brand: Star Wars
  • Department: Unisex Adults
  • Type: Star Wars
  • Metal Purity: Unknown
  • Base Metal: Stainless Steel
  • Country/Region of Manufacture: United States
  • Country of Origin: United States

PicClick Insights - Silver Star Wars Logo Pendant Necklace Sci-fi Trek Xmas Gift Idea Andor Retro UK PicClick Exclusive

  •  Popularity - 6 watchers, 0.0 new watchers per day, 176 days for sale on eBay. Super high amount watching. 1 sold, 8 available.
  •  Best Price -
  •  Seller - 3,712+ items sold. 0.1% negative feedback. Great seller with very good positive feedback and over 50 ratings.

People Also Loved PicClick Exclusive